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Annoying Orange #1
Orange has jumped out of the fruit bowl and into his first graphic navel! Secret Agents 00-Orange and Oh-Oh-Nerville may be the best spies working on Her Majesty's Select Produce, but they haven't gone up against the color purple-stealing mastermind Grapefinger before! With the most insane scheme ever devised, the fate of the world is at stake. Can Orange annoy the bad guys into submission?
Annoying Orange #6
Will Marshmallow abandon the produce section to hang out with new friends in the cold cuts department? Friends such as Twilight Ham, Porkie Pie, Spamity, Applejerkie, Flutterball Turkey, Roastbeef Dash, or Princess Pastrami? Or will Marshmallow simply find out that friendship is tragic? More fresh-squeezed mayhem from Orange and the fruit bowl gang!
We Told You So
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
In Pictopia
In Pictopia is the legendary comic created in 1986, written b y the era's most adventurous mainstream comics writer and drawn by a bevy of indie cartoonists — helmed by Don Simpson, with Mike Kazaleh, Pete Poplaski, and Eric Vincent. Presented here for the first time, scanned from the original line art and full-color painted boards, in an appropriately oversized format. Pictopia is the allegorical city inhabited by old, forgotten, but once famous and iconic comics characters, now considered pitiable has-beens by the popular new comics characters who are cheerfully and inevitably taking their places in the pop culture panteon of celebrity. It is both a paean to timeless, beloved comics characters and a scathing critique of the then-contemporary comics sub-culture.
The Suit
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The Fleischer Story
The Fleischer brothers, Max and Dave, were animation pioneers. Creators of Betty Boop, Koko the Clown, and the Bouncing Ball, they also brought Popeye the Sailor Man to the screen and produced the first feature-length animated cartoon—on the theory of relativity! Max invented the Rotoscope and for a while the brothers kept pace with Disney in performance and profit. But after 1942 the studio closed and their films vanished. What happened and how they developed are examined for the first time in this work—for many years out of print and a collector's item. It is here, updated and enlarged with hundreds of sketches and storyboard layouts where these classic cartoons can once again receive the attention and adulation they deserve.
The Best of the Harveyville Fun Times!
(Paperback Edition) A sampling of the best material from the long-running "Harveyville Fun Times!" fanzine featuring articles about various Harvey Comics characters such as Casper, Richie Rich, Hot Stuff and Sad Sack. Edited by Mark Arnold.
Marvel Graphic Novels and Related Publications
This work provides an extensive guide for students, fans, and collectors of Marvel Comics. Focusing on Marvel's mainstream comics, the author provides a detailed description of each comic along with a bibliographic citation listing the publication's title, writers/artists, publisher, ISBN (if available), and a plot synopsis. One appendix provides a comprehensive alphabetical index of Marvel and Marvel-related publications to 2005, while two other appendices provide selected lists of Marvel-related game books and unpublished Marvel titles.
The Animated Movie Guide
Going beyond the box-office hits of Disney and Dreamworks, this guide to every animated movie ever released in the United States covers more than 300 films over the course of nearly 80 years of film history. Well-known films such as Finding Nemo and Shrek are profiled and hundreds of other films, many of them rarely discussed, are analyzed, compared, and catalogued. The origin of the genre and what it takes to make a great animated feature are discussed, and the influence of Japanese animation, computer graphics, and stop-motion puppet techniques are brought into perspective. Every film analysis includes reviews, four-star ratings, background information, plot synopses, accurate running times, consumer tips, and MPAA ratings. Brief guides to made-for-TV movies, direct-to-video releases, foreign films that were never theatrically released in the U.S., and live-action films with significant animation round out the volume.
