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Miki Kratsman
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Civil Imagination
"This remarkable book enhances Ariella Azoulay’s position as the most compelling theorist of photography writing today." –Jonathan Crary, author of Scorched Earth A groundbreaking work on the power of photography as a vehicle for civil protest Understanding photography is more than a matter of assessing photographs, writes Ariella Azoulay. The photograph is merely one event in a sequence that constitutes photography and which always involves an actual or potential spectator in the relationship between the photographer and the individual portrayed. The shift in focus from product to practice, outlined in Civil Imagination, brings to light the way images can both reinforce and resist the o...
Cultural Studies Review
Thinking and writing about the past, challenging what 'history' might be and how it could appear is an ongoing interest of this journal and an ongoing (sometimes contentious) point of connection between cultural studies and history. The shifts in how we research and write the past is no simple story of accepted breakthroughs that have become the new norms, nor is it a story where it is easy to identify what the effects of cultural studies thinking on the discipline of history has been. History has provided its own challenges to its own practices in a very robust way, while the cultural studies has challenged what the past is and how it might be rendered from a wide ranging set of ideas and modes of representation that have less to do with specific disciplinary arguments than responses to particular modes (textual, filmic, sonic), particular sites (nations, Indigenous temporalities, sexuality, literature, gender) and perhaps a greater willingness to accentuate the political in the historical.
War Culture and the Contest of Images
War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images. Simultaneously, she explores the merging of photojournalism and artistic practices, the effects of visual framing, and the construction of both sanctioned and counter-hegemonic narratives in a global contest of images. As a result of the global visual culture in which anyone may produce as well as consume public imagery, the wide variety of visual an...
Photography between Poetry and Politics
Lieven Gevaert Series 7Does photography have a hybrid or chameleonic character because it can be part of entirely different mixed-media works of art? Photography as a medium is faced with the challenge of escaping from its too-frequent use as rather noncommittal and "poetic" visual imagery. How best might photographers proceed to maintain the integrity of their art? A distinguished group of art historians, art theorists, and specialists in contemporary photography address these issues in Photography between Poetry and Politics. They suggest that by raising a critical debate on the internal workings of the artistic system itself or on broader social problems, photographers might be able to transcend both political and aesthetic concerns, and so revitalize their art form and regain its autonomy.
Normalizing Occupation
Essays that analyze the integration and segregation processes that are an integral part of the broader historical trends shaping Israel/Palestine. Controversy surrounds Jewish settlements in the occupied West Bank, and the radical national and religious agendas at play there have come to define the area in the minds of many. This study, however, provides an alternative framework for understanding the process of “normalization” in the life of Jewish residents. Considering a wider range of historical and structural factors in which the colonization of the West Bank developed, it allows placing its origins and everyday reality into a wider perspective. The works collected consider the trans...
Hollow Land
How does Israel extend its control over Palestinian lands? From the tunnels of Gaza to the militarized airspace of the Occupied Territories, Eyal Weizman unravels the mechanisms of control and how they have transformed Gaza and the West Bank into a war zone. This is essential reading for understanding how architecture and infrastructure are used as lethal weapons in the formation of Israel. In this new edition, Weizman explains how the events following the invasion of Gaza in October 2023 bear witness to the continuing policies of oppression. He details how this book became a foundational text for Forensic Architecture.
The One-State Condition
Since the start of the occupation of Palestinian territories in 1967, Israel's domination of the Palestinians has deprived an entire population of any political status or protection. But even decades on, most people speak of this rule—both in everyday political discussion and in legal and academic debates—as temporary, as a state of affairs incidental and external to the Israeli regime. In The One-State Condition, Ariella Azoulay and Adi Ophir directly challenge this belief. Looking closely at the history and contemporary formation of the ruling apparatus—the technologies and operations of the Israeli army, the General Security Services, and the legal system imposed in the Occupied Ter...
Dateline Israel
The contributors to this book explore the role of art and artists in contemporary Israel; discuss the roots of Israeli photography and video and their international context; and examine the aesthetic and political underpinnings of lens-based art made in Israel today.
Aïm Deüelle Lüski and Horizontal Photography
This book is the product of a unique collaboration between Israeli artist and philosopher Aïm Deüelle Lüski and visual culture theorist Ariella Azoulay. In their longstanding working relationship, they research how to theorize the structure of the contemporary scopic regime and open a space for its civil transformation.
