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Women's Suffrage
Reproduction of the original: Women's Suffrage by Millicent Garrett Fawcett
Millicent Garrett Fawcett
‘Courage calls to courage everywhere’ is the best-known phrase associated with Millicent Garrett Fawcett (1847-1929), the leading UK suffragist and campaigner of the late 19th and early 20th centuries. But what is the source of her quote, and what is its context? This book reproduces Fawcett’s essential speeches, pamphlets and newspaper columns to tell the story of her dynamic contribution to public life. Thirty-five texts and 22 images are contextualised and linked to contemporary news coverage as well as to historical and literary references. These speeches, articles, artworks and photographs cover both the advances and the defeats in the campaign for women’s votes. They also demon...
Janet Doncaster
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Enterprising Women
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The Great Miss Lydia Becker
Fifty years before women were enfranchised, a legal loophole allowed a thousand women to vote in the general election of 1868. This surprising event occurred due to the feisty and single-minded dedication of Lydia Becker, the acknowledged, though unofficial, leader of the women's suffrage movement in the later 19th century. Brought up in a middle-class family as the eldest of fifteen children, she broke away from convention, remaining single and entering the sphere of men by engaging in politics. Although it was considered immoral for a woman to speak in public, Lydia addressed innumerable audiences, not only on women's votes, but also on the position of wives, female education and rights at...
Their Fair Share
Their Fair Share identifies and contextualises many previously unknown critical writings by a selection of well-known turn-of-the-century women. It reveals the networks behind an influential journal like the Athenaeum and presents a more shaded assessment of its position in the field of cultural production, in the period 1870-1920. The Athenaeum (1828-1921) has often been presented as a monolithic institution offering its readers a fairly conservative, male oriented appreciation of a wide variety of contemporary publications. On the basis of archival and biographical material this book presents an entirely new analysis of the reviewing policy of this weekly from 1870, when it came into the hands of the politician Sir Charles Wentworth Dilke, up to and including 1919-1920 when John Middleton Murry became its editor. Dilke, and his editor Norman MacColl, are here revealed to have been committed feminists who enlisted some of the most influential women of their time as critics for their journal. The book looks more specifically at the contributions by, a.o., Millicent Garrett Fawcett, Emilia Dilke, Jane Harrison and Augusta Webster.
