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Ash Steps
M. Travis Lane's fourteenth poetry title is a meditation on loss and reorientation, continuity and memory. Widowhood and mortality are at the centre of this quiet collection, but fear and self-pity are not to be found here: only a clear-eyed coming-to-terms. Lane's metaphors are unforced, natural yet always surprising: a beggar sitting at the midpoint of a footbridge "like the small bubble balancing/ midway in a plumber's level," trees in a night plaza that "hold/ like dark peaches the late street lamps." Her acute powers of observation are entwined with historical and cultural awareness, attunement to the natural world, and a music that holds it all together.
The Crisp Day Closing on My Hand
The Crisp Day Closing on My Hand: The Poetry of M. Travis Lane is a collection of thirty-five of her best poems, selected with an introduction by Jeanette Lynes. An environmentalist, feminist, and peace activist, M. Travis Lane is known for witty and meticulously crafted poems that explore the elusive nature of “home” in both historical and present contexts and reflect on the identity of the woman poet and what it means to be a writer. Lane’s poems exhibit impressive range and variety—long poems, short lyrics, serial poems, poems inspired by visual art—and are richly attentive to the landscapes, both urban and wild, of her New Brunswick home. They voice a sense of urgency with resp...
Divinations and Shorter Poems, 1973-1978
In this award-winning collection, M. Travis Lane explores the meanings hidden beneath the surfaces of things, a world which is at once magical and full of unexpected surprises.
The All Nighter's Radio
Travis Lane offers a world intensified, as if each starfish, hummingbird, and blade of Bermuda grass were seen through a magnifying glass. Revealing things in their vivid complexity, she also gives us a wider, larger vision of all that lies before us.
A Tent, a Lantern, an Empty Bowl
Poetry. Women's Studies. In poems that could double as paintings, M. Travis Lane harnesses the brush strokes of language to form a bridge between the artist and natural world in A TENT, A LANTERN, AN EMPTY BOWL. This is work that sees "the reds/ that glitter in the shaggy firs,/ the yellow-mauves in shadowed snow,/ the orange-hatched pine tops quivering" and captures it all in vivid detail. A TENT, A LANTERN, AN EMPTY BOWL is a vital new collection from one of Canada's most important living poets.
The Essential Travis Lane
Inspired by nature, science, topics in the news, art and music, New Brunswick poet M. Travis Lane is prolific yet eschews the spotlight. She has won the Atlantic Poetry Prize, the Alden Nowlan Prize for Excellence and the Banff Centre Bliss Carmen Poetry Award, among a host of others. The Essential Travis Lane celebrates her lilting, insightful work by bringing to the fore a selection of her shorter poems—many of them out of print—that demonstrate her signature clear-eyed perceptiveness and rhythmic formal technique. These poems are fine examples of her linguistic mastery, as well as the wisdom and heart that characterize her voice. The Essential Poets Series presents the works of Canada’s most celebrated poets in a package that is beautiful, accessible and affordable. The Essential Travis Lane is the 13th volume in the series.
Keeping Count
Keeping Count, M. Travis Lane's 18th collection of poetry, begins in the poet's favourite terrain: short, condensed lyric that focuses on the natural world. "But pull a thread: music turns," Lane writes, and the book progressively defamiliarizes the reader, moving from ecopoetry to a longer poetry of interiority in the second section, concluding with a final section that focuses on issues of mortality. As George Elliott Clarke has written so aptly, "If you have not read Lane before, prepare to travel: Like T.S. Eliot, she wants you to have a transporting experience in your imagination. If you have read Lane before, prepare for fresh astonishment. She is Homeric breadth and Sapphic brevity."
Crossover
M. Travis Lane's poetry has always been diverse: variously serious, silly, melancholy, cheerful, meditative, witty, philosophical, enigmatic, colloquial, intimate, simple, complex. Asked "What kind of poetry do you write? What do you write about?", she has replied, accurately, "all kinds" and "anything" -- calling her collections "eclectic miscellanies" and refusing to be nailed down by the critics' need for tidiness. She shifts easily from lyric to monologue to epigram to song to riddle, drawing inspiration equally from the natural world and the world of art and imagination. Though her concerns are often feminist, environmental, civic, and political, her poems transcend such labels. And no ...
Touch Earth
This unique collection of Canadian poetry demonstrates how poems can be complex yet communicate their essence simply and directly. This selection of spiritual, wittty, and subtly textured poems is both current and lively.
Homecomings
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