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Girolamo Frescobaldi (1583–1643) occupies a special place in the history of music as the first significant European composer who concentrated his major creative efforts into the realm of instrumental music. In this collection of papers based on the Quadricentennial Frescobaldi Studies Conference, sixteen American and European specialists examine important aspects of the life and works of this composer and of his role in the creation of a new musical language of the Baroque.
SHORTLISTED FOR THE ORANGE PRIZE FOR FICTION 2012 There were people on the banks of the river. Among the tangled waterways and giant anacondas of the Brazilian Rio Negro, an enigmatic scientist is developing a drug that could alter the lives of women for ever. Dr Annick Swenson's work is shrouded in mystery; she refuses to report on her progress, especially to her investors, whose patience is fast running out. Anders Eckman, a mild-mannered lab researcher, is sent to investigate. A curt letter reporting his untimely death is all that returns. Now Marina Singh, Anders' colleague and once a student of the mighty Dr Swenson, is their last hope. Compelled by the pleas of Anders's wife, who refus...
Examining the roots of the classical fugue pre-Bach, Paul Walker's Fugue in the Sixteenth Century explores the three principal fugal genres of the period--motet, ricercar, and canonza--through musical examples and close analysis.
For six decades, writer and editor Robert A. Parker has followed up each book he reads, mainly novels, with an evaluation of that book. His comments are informed by an independent critical view that balances a moral and literary sensibility. In this fifth of six volumes, the authors covered range from Brian Moore to Neil Sheehan, and include O'Connor, Pamuk, Patchett, Percy, Plante, Price, Read, Richler, Roth, Rowling, and Saramago. There are at least 120 authors included in this volume. These writers represent a range of writing styles, cultural influences, and moral philosophies. All are rated on their literary achievement, the effectiveness of plot, character, and setting, plus their recognition of the moral, ethical, and spiritual values of mankind.
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