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The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
Nasher catalog for an exhibit on art that involves records, which will open in October 2009.
"Bill Traylor (ca. 1853-1949) is regarded today as one of the most important American artists of the twentieth century. A black man born into slavery in Alabama, he was an eyewitness to history--the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration, and the steady rise of African American urban culture in the South. Traylor would not live to see the civil rights movement, but he was among those who laid its foundation. Starting around 1939, Traylor--by then in his late eighties and living on the streets of Montgomery--took up pencil and paintbrush to attest to his existence and point of view. In keeping with this radical step, the paintings and drawings he ma...
From Dorothy's ruby slippers to a speech that saved Teddy Roosevelt from assassination, this authoritative guide delivers in-depth reportage on the history of remarkable objects from the Smithsonian's collections For American history, pop culture, and museum enthusiasts With charm and exuberance, The Object at Hand presents a behind-the-scenes vantage point of the Smithsonian collections. Veteran Smithsonian magazine editor Beth Py-Lieberman weaves together adaptations of the magazine's extensive and compelling coverage and interviews with scholars, curators, and historians to take readers on an unforgettable journey through the Smithsonian museums. Objects are grouped into the themes audaci...
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Men's Health magazine contains daily tips and articles on fitness, nutrition, relationships, sex, career and lifestyle.
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Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. This book profiles dozens of outsider musicians, both prominent and obscure—figures such as The Shaggs, Syd Barrett, Tiny Tim, Jandek, Captain Beefheart, Daniel Johnston, Harry Partch, and The Legendary Stardust Cowboy—and presents their strange life stories along with photographs, interviews, cartoons, and discographies. About the only things these self-taught artists have in common are an utter lack of conventional tunefulness and an overabundance of earnestness and passion. But, believe it or not, they're worth listening to, often outmatching all contenders for inventiveness and originality. A CD featuring songs by artists profiled in the book is also available.
You can tell a lot about someone in a minute if you choose the right minute. Join Neil Strauss as he: • Makes Lady Gaga cry • • Tries to keep Mötley Cru?e out of jail • • Gets kidnapped by Courtney Love • • Goes to church with Tom Cruise (and his mother) • • Reads the mind of Britney Spears • • Hunts down Jackie Chan • • Gets picked on by Led Zeppelin • • Buys nappies with Snoop Dogg • • Goes drinking with Bruce Springsteen, dining with Gwen Stefaniand hot-tubbing with Marilyn Manson • • Talks glam with David Bowie, drugs with Madonna, death with Johny Cash and sex with Chuck Berry • • Gets molested by The Strokes, gets in trouble with Prince and gets Christina Aguilera into bed • Also features exclusive UK heavyweight champions Steve Coogan, Noel Fielding, Russell Brand and more . . .
Volume—a word that refers to sound, collections, and the measurement of space—is a crucial characteristic of both graphic design and popular music. While expressing different aspects of these two pervasive cultural mediums, the term also introduces a discussion on their many links. Volume: Writings on Graphic Design, Music, Art, and Culture is a collection of both new and classic writings by frequent Emigre contributor and educator Kenneth FitzGerald that survey the discipline of graphic design in context with the parallel creative fields of contemporary music and art. The topics of the writings are diverse: the roles of class in design, design education, Lester Bangs and Creem magazine, pornography, album cover art, independent record labels, anonymity and imaginary creative identities, and design as cultural chaos-maker.