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Chris Ofili
Two and a half years in the making, 'The Caged Bird's Song' is a monumental tapestry by the celebrated British artist, Chris Ofili. Accompanying 'Chris Ofili: Weaving Magic', the artist's ambitious presentation of the tapestry within a specially conceived environment in the Sunley Room at the National Gallery, this publication tells the story of the work?s evolution and documents the close collaboration between Ofili and master weavers who have interpreted his designs with astonishing nuance. A suite of previously unseen preparatory watercolours and works on paper and a revealing essay by the exhibition's curator, Minna Moore Ede, further illuminate this extraordinary project by one of the most acclaimed artists working today.
Titian Metamorphosis
This visually stunning publication celebrates a unique collaboration between two of the UKs leading cultural institutions, the National Gallery and The Royal Ballet. Together they commissioned three contemporary artists Chris Ofili, Conrad Shawcross and Mark Wallinger to work with international choreographers and composers to create three new ballets inspired by Titian's paintings Diana and Actaeon, 'The Death of Actaeon' and 'Diana and Callisto'. As well as designing all the sets and costumes, the artists also produced entirely new works in response to Titians masterpieces for a show at the National Gallery. The book tells the story of this extraordinary, complex project from conception to stage and gallery. The artists notebooks, sketches and other material from the studio are reproduced to show how they evolved their initial ideas into working designs. Exhibition: National Gallery, London, UK (11.7.-23.9.2012).
Chris Ofili: Night and Day
A major survey including new and celebrated works by Turner Prize–winning artist Chris Ofili. Set to accompany the first major museum show in the United States of contemporary British artist Chris Ofili, this richly illustrated volume surveys two decades of artworks that meld figuration, abstraction, and decoration to yield hybrid juxtapositions of high and low culture. Best known for intricately constructed works featuring beadlike dots of paint, elephant dung, and images culled from popular media, Ofili’s unique lexicon combines African culture, Western art history, and hip-hop music, spanning a wide variety of sources which include the Bible, Zimbabwean cave paintings, Blaxploitation films, and William Blake’s poems. Animated by exotic characters, outlandish landscapes, and folkloric myths, Ofili’s most recent work resonates with references to the paintings of Henri Matisse and Paul Gauguin. This compelling new book offers a fresh perspective on the artist’s vital practice, which both celebrates and calls into question the power of images and their ability to address fundamental questions of representation.
Performing Epic Or Telling Tales
From spoken word to ballet, ancient Greek and Roman epics regularly provide both the subjects and the form for emergent and seasoned theatre makers. This volume examines the 'why' of this epic turn, exploring not only the translation and scholarly histories of the epics, but also earlier performance traditions and recent theoretical debates.
The Architectural Capriccio
Bringing together leading writers and practicing architects including Jean Dethier, David Mayernik, Massimo Scolari, Robert Adam, David Watkin and Leon Krier, this volume provides a kaleidoscopic, multilayered exploration of the Architectural Capriccio. It not only explains the phenomena within a historical context, but moreover, demonstrates its contemporary validity and appropriateness as a holistic design methodology, an inspiring pictorial strategy, an efficient rendering technique and an optimal didactic tool. The book shows and comments on a wide range of historic masterworks and highlights contemporary artists and architects excelling in a modern updated, refreshed and original tradition of the Capriccio.
Rubens
A fascinating exploration of the early work of the great Flemish master Rubens
Literature and Artistic Practice in Sixteenth-Century Italy
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
Leonardo Da Vinci
Published on the occasion of an exhibition held at the National Gallery, London, Nov. 9, 2011-Feb. 5, 2012.
Portraits
This book accompanied the Lotto Lorenzo Portraits exhibition at the National Gallery (5 November 2018 - 10 February 2019). Celebrated as one of the greatest portraitists of the Italian Renaissance, Lorenzo Lotto uniquely portrayed a cross section of middle-class sitters, among them clerics, merchants and humanists. Lotto depicted men, women and children in compositions rich in symbolism and imbued with great psychological depth. The prominent addition of objects which hinted at the social status, interests, and aspirations of his subjects added meaning to each work. With the inclusion of documents that have survived from Lotto's own account books, this catalogue provides extraordinary insight into the artist's individualistic style and the people he portrayed.
The Power of Art
An epic work of art history that will transform our understanding of the world by unlocking the human stories behind millennia of art. Taking readers from ancient Babylon to contemporary Pyongyang, the eminent curator Caroline Campbell explains art's power to illuminate our lives—and inspires us to benefit from its transformative and regenerative power. Unlike the majority of contemporary art history, this book is about much more than the cult of artists’ personalities. Instead, each chapter is structured around a city at a particularly vibrant moment in its history, describing what propelled its creativity and innovation. The emotions and societies she evokes are highly recognizable, revealing how great art resonates powerfully by transcending the boundaries of time.
