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Un reportaje fotográfico que refleja la susceptibilidad en la que viven las pequeñas comunidades que intentan mantener sus tradiciones y su forma de vida, en un mundo regido por la globalización. Una visión de la vida de los lacandones, indígenas de la selva de Chiapas, en México, que descienden directamente de la civilización maya. La crónica fotográfica de este pueblo se acompaña por un relato del propio Paul Bowles, quien hace ya más de setenta años comprendió y relató la experiencia de un pastor en su intento de evangelizar a una comunidad indígena. Este pequeño pueblo de apenas mil almas es un diminuto testimonio de la presencia humana en medio de una selva milenaria hoy...
The history of documentary has been one of adaptation and change, as docu-mentarists have harnessed the affordances of emerging technology. In the last decade interactive documentaries (i-docs) have become established as a new field of practice within non-fiction storytelling. Their various incarnations are now a focus at leading film festivals (IDFA DocLab, Tribeca Storyscapes, Sheffield DocFest), major international awards have been won, and they are increasingly the subject of academic study. This anthology looks at the creative practices, purposes and ethics that lie behind these emergent forms. Expert contributions, case studies and interviews with major figures in the field address the...
In 1759 a baby girl was born to an impoverished family on the Indian subcontinent. Her parents pawned her into bondage as a way to survive famine. A Portuguese slaver sold the girl to a pious French spinster in Bengal, where she was baptized as Madeleine. Eventually she was taken to France byway of Ile de France (Mauritius), and from there to Ile Bourbon (Reunion), where she worked on the plantation of the Routier family and gave birth to three children: Maurice, Constance, and Furcy. Following the master''s death in 1787, Madame Routier registered Madeleine''s manumission, making herfree on paper and thus exempting the Routiers from paying the annual head tax on slaves. However, according t...
Photographs by: Ghaith Abdul-Ahad, Lynsey Addario, Martin Adler, Richard Butler, Francesco Cito, Gary Calton, Chris de Bode, Donna De Cesare, Miquel Dewever Plana, Tiane Doan na Champassak, Colin Finlay, Riccardo Gangale, Cedric Gerbehaye, Jan Grarup, Tim A. Hetherington, Rhodri Jones, Bob Koenig, Roger Lemoyne, Zed Nelson, Peter Mantello, Heather McClintock, Olivier Pin Fat, Giacomo Pirozzi, Q. Sakamaki, Marcelo Salinas, Dominic Sansoni, Guy Tillim, Sven Torfinn, Ami Vitale, Vincent van de Wijngaard, Tomas van Houtryve, Kadir van Lohuizen, Alvaro Ybarra-Zavala, Francesco Zizola Essay by: Jo Becker, Jimmi Briggs, Dick Durbin, Emmanuel Jal, Michael Wessells "I would like to give you a message...
"War is Only Half the Story" is a ten-year retrospective of the work of the groundbreaking documentary photography program, The Aftermath Project, which for a decade has supported post-conflict storytelling by some of the world's best photographers. As a grant-making educational non-profit, The Aftermath Project was founded to help change the way the media covers conflict - and to educate the public about the true cost of war and the real price of peace.Using the post-conflict poetry of Nobel Laureate Wislawa Szymborska as themes for each chapter, "War is Only Half the Story" draws on the work of 53 Aftermath Project grant winners and finalists from around the world to explore post-conflict stories that all too often go untold.
This book explores the disruptive changes in the media ecosystem caused by convergence and digitization, and analyses innovation processes in content production, distribution and commercialisation. It has been edited by Professors Miguel Túñez-López (Universidade de Santiago de Compostela, Spain), Valentín-Alejandro Martínez-Fernández (Universidade da Coruña, Spain), Xosé López-García (Universidade de Santiago de Compostela, Spain), Xosé Rúas-Araújo (Universidade de Vigo, Spain) and Francisco Campos-Freire (Universidade de Santiago de Compostela, Spain). The book includes contributions from European and American experts, who offer their views on the audiovisual sector, journalis...
This fun-filled Q&A book is packed with more than 180 answers to questions about history, nature, the Earth, and more. Includes questions like: "Why were some pirates abandoned on a desert island?", "Why are there mummies?", and "Why do we go to school?"
El 26 de gener del 1939, Barcelona va caure en mans dels franquistes. A partir de llavors, milers de famílies republicanes es van exiliar a França. Van haver de deixar-ho tot i, malgrat la pena que els embargava, aquesta era tan forta com el desig de llibertat que els impulsava. Entre tota aquella gent hi havia nens, de vegades de molt curta edat. Seguint els pares, van experimentar l'exili, els camps d'internament i de concentració i moltes privacions. Avui, més de vuitanta anys després, aquells nens són a l'ocàs de les seves vides i volen més que mai transmetre com a llegat als joves la dolorosa experiència que van viure. Guiats pel fotoperiodista Miquel Dewever-Plana, els alumnes...