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THINK Theatre, with its global focus, prepares students for our interconnected world. It examines ancient performance traditions, intercultural, multicultural, experimental and familiar forms. The book balances theory and practice and explores how artistic vision intersects with social, political, and economic realities to create theatre everywhere. Its series of boxed texts--Hidden History, Global Traditions and Innovations, and Artists in Perspective--provide interesting insights into contemporary theatrical phenomena. Technology boxes challenge students to think critically about the importance of live performance in an era dominated by electronic media. THINK Theatre engages today's students through its stylish visual program, more than 200 exciting photos, and lively narrative. Throughout recorded history human beings have used performance to tell their stories and explore the meaning of their existence. This ancient art form is explored here in a contemporary, innovative, and inexpensive text.
Free to Act presents a holistic approach to actor training that integrates physical and psychological technique. Its integrated approach emphasizes the idea that the body informs the mind and that emotion is rooted in physical action. Providing a carefully developed system of training, Free to Act guides the student-actor through the complex process by which an actor is formed.
"Focus on diversity and globalism, integrating coverage of multicultural, international and experimental theatre throughout." -- Back cover.
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When you sit down at a play, movie, or concert—or even just watch TV or scroll on your phone—you are taking part in one of the oldest and most meaningful forms of behavior. Being part of an audience is a universal experience, one that has remained a constant feature of human societies even as it has evolved from colosseums to tiny glowing screens. Right This Way is a pop history of audiences through the ages. Delving into the distinctive aspects of what he calls “audiencing,” former Playbill editor Robert Viagas renders the view from the cheap seats in energetic prose. He walks us through the different types of audiences and the history of their changing behaviors, what science has to say about how our brains respond to our experiences, how technology will continue to shape audiences, and why, during COVID-19, people risked a deadly virus to be part of a crowd. Drawing on perspectives from critics, performers, scholars, and many others, Right This Way is a lively, thought-provoking meditation on the audience experience. You’ll never sit and watch something the same way again.
Jacques Lecoq and the British Theatre brings together the first collection of essays in English to focus on Lecoq's school of mime and physical theatre. For four decades, at his school in Paris, Jacques Lecoq trained performers from all over the world and effected a quiet evolution in the theatre. The work of such highly successful Lecoq graduates as Theatre de Complicite (The Winter's Tale with the Royal Shakespeare Company and The Visit, The Street of Crocodiles and The Causcasian Chalk Circle with the Royal National Theatre) has brought Lecoq's work to the attention of mainstream critics and audiences in Britain. Yet Complicte is just the tip of the Iceberg. The contributors to this volume, most of them engaged in applying Lecoq's work, chart some of the diverse ways in which it has had an impact on our conceptions of mime, physical theatre, actor training, devising street theatre and interculturalism. This lively - even provocative - collection of essays focuses academic debate and raises awareness of the impact of Lecoq's work in Britain today.
With over 500 entries on the most important plays and playwrights performed today, The Theatre Guide provides an authoritative A - Z of the contemporary theatre scene. From Aristophanes to Mark Ravenhill, The Alchemist to The Talking Cure, the Guide is both biographically detailed and critically current, while an extensive cross-referencing system allows for wider perspectives and new discoveries. Stimulating, observant and informative, The Theatre Guide is an essential companion and reference tool for anyone with an active interest in drama.
The “villainous homosexual” has long stalked America’s cultural imagination, most explicitly in the figure of the queer murderer, a character in dozens of plays. But as society’s understanding of homosexuality has changed, so has the significance of these controversial characters, especially when employed by LGBT theater artists themselves to explore darker fears and desires. Murder Most Queer examines the shifting meanings of murderous LGBT characters in American theater over a century, showing how these representations wrestle with and ultimately subvert notions of gay villainy. Murder Most Queer works to expose the forces that create the homophobic paradigm that imagines sexual an...
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.
This is the first book to investigate the social, political, cultural, artistic and economic forces which created conditions for the rise, success and decline of mime and physical theatre in the United Kingdom, from the 1970s to 2000. Unpicking the various routes through which mime and physical theatre emerged into wider prominence, this book outlines key thematic strands within this history of practice. The book blends historical description and refl ective analysis. It aims to juxtapose the various histories at play within this field, giving critical attention to the voices of the artists, funders and venue managers who were there at the time, particularly recognising the diversity of prac...