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A new, transformative history – in Tudor times there were Black people living and working in Britain, and they were free ‘This is history on the cutting edge of archival research, but accessibly written and alive with human details and warmth.’ David Olusoga, author of Black and British: A Forgotten History A black porter publicly whips a white Englishman in the hall of a Gloucestershire manor house. A Moroccan woman is baptised in a London church. Henry VIII dispatches a Mauritanian diver to salvage lost treasures from the Mary Rose. From long-forgotten records emerge the remarkable stories of Africans who lived free in Tudor England… They were present at some of the defining moment...
A transformative history - in Tudor times there were Africans living and working in Britain, and they were free
Shortlisted for the Wolfson History Prize 2018 A Book of the Year for the Evening Standard and the Observer A black porter publicly whips a white Englishman in the hall of a Gloucestershire manor house. A Moroccan woman is baptised in a London church. Henry VIII dispatches a Mauritanian diver to salvage lost treasures from the Mary Rose. From long-forgotten records emerge the remarkable stories of Africans who lived free in Tudor England… They were present at some of the defining moments of the age. They were christened, married and buried by the Church. They were paid wages like any other Tudors. The untold stories of the Black Tudors, dazzlingly brought to life by Kaufmann, will transform how we see this most intriguing period of history.
Containing an urgently needed archival database of historical evidence, this volume includes both a consolidated presentation of the documentary records of black people in Tudor and Stuart England, and an interpretive narrative that confirms and significantly extends the insights of current theoretical excursus on race in early modern England. Here for the first time Imtiaz Habib collects the scattered references to black people-whether from Africa, India or America-in sixteenth- and seventeenth-century England, and arranges them into a systematic, chronological descriptive index. He offers an extended historical and theoretical interpretation of the records in six chapters, which serve as an introductory guide to the index even as they articulate a specific argument about the meaning of the records. Both the archival information and interpretive scholarship provide a strong framework from which future historical debates on race in early modern England can proceed.
Expanding upon the 2017 Radio 4 series ‘Britain’s Black Past’, this book presents those stories and analyses through the lens of a recovered past. Even those who may be familiar with some of the materials will find much that they had not previously known, and will be introduced to people, places, and stories brought to light by new research. In a time of international racial unrest and migration, it is important not to lose sight of similar situations that took place in an earlier time. In chapters written by scholars, artists, and independent researchers, readers will learn of an early musician, the sales of slaves in Scotland, the grave—now a shrine—of a black enslaved boy left to die in Morecombe Bay, of a country estate owned by a mixed-race slave owner, and of the two strikingly different people who lived in a Bristol house that is now a museum. Black sailors, political activists, memoirists, appear in these pages, but the book also re-examines living history, in the form of modern plays, television programmes, and genealogical sleuthing. Through them, Britain’s Black Past is not only presented anew, but shown to be very much alive in our own time.
From Jamaica to Charleston, Sierra Leone to Bombay, China to Australia, back to England, Ireland, Scotland and Wales, this is the story of the heiresses. Their assets, the product of the exploitation of enslaved Africans, enabled them to marry into the top tiers of the aristocracy and attracted the attention of fortune-hunters. They fell in love (not always with their husbands), eloped, divorced, squandered fortunes, threw parties, went mad and (in once case) faked a daughter's death. Heiresses explores the Caribbean Marriage Trade, tracing tainted money from its origins in slavery to its disposal on country homes, paintings and philanthropic ventures. After slavery was abolished in 1834, British slave-owners were compensated to the tune of £20 million, incurring a government debt that was only fully paid off in 2015. Miranda Kaufmann examines how slave-produced wealth came into Britain, not as a result of men setting out to establish plantations or trade in slaves, but by choosing to enter into the contract of matrimony: for better or for worse, for richer, but not for poorer.
The British country house has long been regarded as the jewel in the nation's heritage crown. But the country house is also an expression of wealth and power, and as scholars reconsider the nation's colonial past, new questions are being posed about these great houses and their links to Atlantic slavery.This book, authored by a range of academics and heritage professionals, grew out of a 2009 conference on 'Slavery and the British Country house: mapping the current research' organised by English Heritage in partnership with the University of the West of England, the National Trust and the Economic History Society. It asks what links might be established between the wealth derived from slavery and the British country house and what implications such links should have for the way such properties are represented to the public today.Lavishly illustrated and based on the latest scholarship, this wide-ranging and innovative volume provides in-depth examinations of individual houses, regional studies and critical reconsiderations of existing heritage sites, including two studies specially commissioned by English Heritage and one sponsored by the National Trust.
This book will break open a secret. It is a gripping tale of love, loyalty and domestic happiness that came to be overwhelmed by the forces of ambition, deceit and treachery, from the award-winning author of 'My Heart is My Own: The Life of Mary, Queen of Scots'.
'This is a remarkable, challenging and bravely original work.' The Guardian Ripped from the world by her husband's paranoia, Desdemona turns in death towards the memory of Barbary, the North African maid who raised her: together, they explore the contours of death, race, war, love and motherhood, in a moving elegy. Audacious with ambition, Desdemona is Toni Morrison's intimate reimagining of the fourth act of Shakespeare's Othello, mixing monologue with Rokia Traore's lyrical songs to re-examine the Bard's presentation of race and female suffering. Part-play, part-concert, part-quest into the afterlife, Desdemona is published in Methuen Drama's Modern Classics series, featuring a new introduction by Joyce Green MacDonald.
LONGLISTED FOR THE BAILLIE GIFFORD PRIZE 'An incredible work of scholarship' Sathnam Sanghera Through the story of his own family’s history as slave and plantation owners, Alex Renton looks at how we owe it to the present to understand the legacy of the past. When British Caribbean slavery was abolished across most of the British Empire in 1833, it was not the newly liberated who received compensation, but the tens of thousands of enslavers who were paid millions of pounds in government money. The descendants of some of those slave owners are among the wealthiest and most powerful people in Britain today. Blood Legacy explores what inheritance – political, economic, moral and spiritual – has been passed to the descendants of the slave owners and the descendants of the enslaved. He also asks, crucially, how the former – himself among them – can begin to make reparations for the past.