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Examines the unanswered questions surrounding the murder of Malcolm X.
Told from two full points of view, the central premise is a woman kidnaps a pregnant mother, murders her, and claims the child as her own. However, the authorities return the infant to her biological family, and prosecute the killer. The novel asks what would happen to such as child, and would there be any relationship between the child and the killer? Set in the late 60’s, in New Jersey, a surreal lower east side of Manhattan, and a magic-imbued remote northern New Mexico. The first point of view is Rania’s—the kidnapped infant, now a teen-ager. Her school provides little, except for a friendship with the charismatic Monique. Her family’s Armenian heritage hints at a dark historical...
Poet Miriam Sagan's intimate, poignant, comical memoir begins with the death of her husband, a thirty-six-year-old Zen Priest. She approaches grief in typical baby boomer fashion: going to Korea, attending weightlifting classes, and searching for new lovers. She ultimately finds that she is not alone, and that she is surrounded with continuity, community, and all the beauty that is life.
Miriam Sagan has written a book that tells in poetic beauty the often difficult and frequently uplifting history of her own life and challenges as she tumbles through the mixture of events that helped contribute to the writer that she is today.
Robert Winson and Miriam Sagan, both poets and zen practitioners, spent a winter in a Buddhist monastery in the mountains of Colorado, and each kept a diary of the events of their lives. This is the result, a record of how spiritual practice really operates and how life works in a commune.
Literary Nonfiction. Fiction. Memoir. "Some time ago, I decided to drink a hundred cups of coffee and record them, with my thoughts and surroundings. I was waiting for certain things to unfold, or even pass unrecorded. Therefore, this is not a daily diary in the usual sense. Over the course of two years, many things happened. My mother died of dementia, I quit my job, and Donald Trump was elected president. And some things remained constant--my house on Santa Fe's west side with my husband Rich, my daughter Isabel and son-in-law Tim living in the county. Friendships ebbed and flowed as friendships will, weather turned as threat of drought persisted. I did not grow younger. I traveled many pl...
Philip Whalen was an American poet, Zen Buddhist, and key figure in the literary and artistic scene that unfolded in San Francisco in the 1950s and Õ60s.ÊWhen the Beat writers came West, Whalen became a revered, much-loved member of the group.ÊErudite, shy, and profoundly spiritual, his presence not only moved his immediate circle of Beat cohorts, but his powerful, startling, innovative work would come to impact American poetry to the present day. Drawing on WhalenÕs journals and personal correspondenceÑparticularly with Ginsberg, Kerouac, Snyder, Kyger, Welch, and McClure ÑDavid Schneider shows how deeply bonded these intimates were, supporting one another in their art and their spiritual paths. Schneider, himself an ordained priest, provides an insiderÕs view of WhalenÕs struggles and breakthroughs in his thirty years as a Zen monk. When Whalen died in 2002 as the retired Abbot of the Hartford Street Zen Center, his own teacher referred to him as a patriarch of the Western lineage of Buddhism. Crowded by Beauty chronicles the course of WhalenÕs life, focusing on his unique, eccentric, humorous, and literary-religious practice.
Blending history, celebrations, and reconciliation of Jewish traditions with life in New Mexico, the circle of the Jewish year is saturated by the New Mexico experience as tashlich is performed in a desert river, and Passover coincides with Good Friday pilgrims making a holy journey to the Santuario de Chimayo. Includes work by Marjorie Agosin, Yehudis Fishman, Gene Frumkin, Natalie Goldberg, Judyth Hill, Joan Logghe, Consuelo Luz, Carol Moldow, Judith Rafaela, Miriam Sagan, and others.
'They're Not Pets, Susan, ' says a stern father who has just shot a bumblebee, its wings sparkling in the evening sunlight; a lone office worker, less than an inch high, looks out over the river in his lunch break, 'Dreaming of Packing it all In'; and a tiny couple share a 'Last Kiss' against the soft neon lights of the city at midnight. Mixing sharp humour with a delicious edge of melancholy, "Little People in the City" brings together the collected photographs of Slinkachu, a street-artist who for several years has been leaving little hand-painted people in the bustling city to fend for themselves, waiting to be discovered. . . 'Oddly enough, even when you know they are just hand-painted figurines, you can't help but feel that their plights convey something of our own fears about being lost and vulnerable in a big, bad city.' "The Times"
Cartoons about Indians collected from the Santa Fe New Mexican.