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Recreate and analyze some of the wildest murder trials on the American frontier.
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First multi-year cumulation covers six years: 1965-70.
David B. Sachsman and David W. Bulla have gathered a colourful collection of essays exploring sensationalism in nineteenth-century newspaper reporting. The contributors analyse the role of sensationalism and tell the story of both the rise of the penny press in the 1830s and the careers of specific editors and reporters dedicated to this particular journalistic style.Divided into four sections, the first, titled "The Many Faces of Sensationalism," provides an eloquent Defense of yellow journalism, analyses the place of sensational pictures, and provides a detailed examination of the changes in reporting over a twenty-year span. The second part, "Mudslinging, Muckraking, Scandals, and Yellow Journalism," focuses on sensationalism and the American presidency as well as why journalistic muckraking came to fruition in the Progressive Era.The third section, "Murder, Mayhem, Stunts, Hoaxes, and Disasters," features a ground-breaking discussion of the place of religion and death in nineteenth-century newspapers. The final section explains the connection between sensationalism and hatred. This is a must-read book for any historian, journalist, or person interested in American culture.
A biography of the remarkable—and in her time scandalous—seventeenth-century writer Margaret Cavendish, who pioneered the science fiction novel. "My ambition is not only to be Empress, but Authoress of a whole world."—Margaret Cavendish Margaret Cavendish, then Lucas, was born in 1623 to an aristocratic family. In 1644, as England descended into civil war, she joined the court of the formidable Queen Henrietta Maria at Oxford. With the rest of the court she went into self-imposed exile in France. Her family's wealth and lands were forfeited by Parliament. It was in France that she met her partner, William Cavendish, Marquess of Newcastle-upon-Tyne, a marriage that made her the Duchess ...
Drawing on recent debates about the methods of book history, this book explores in detail the foundation and development of Chetham's Library, in Manchester, from its foundation in 1655 until the end of the seventeenth century.
An American Book Award winner’s creative memoir “traces his own family's history, as well as the long story of Hispanics in America . . . Spirited writing” (Library Journal). People who live in California deny the past, asserts Alejandro Murguía. In a state where what matters is keeping up with the current trends, fads, or latest computer gizmo, no one has the time, energy, or desire to reflect on what happened last week, much less what happened ten years ago, or a hundred. From this oblivion of memory, he continues, comes a false sense of history, a deluded belief that the way things are now is the way they have always been. In this work of creative nonfiction, Murguía draws on memo...