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Nicolás Guagnini: Theatre of the Self is a hybrid catalogue-reader based on the exhibition of the multi-threaded performances of Buenos Aires-born New York-based Guagnini. Many of these works, spanning from 2005 until 2019, have never been seen before or have not been seen since their original live presentation. Raised in Argentina during the "Dirty War" and violent military dictatorship, Guagnini moved to New York in the late 1990s and co-founded the film production company Union Gaucha Productions with Karin Schneider in 1997. In 2005 Guagnini became co-founder of Orchard Gallery, an artist cooperative based on the Lower East Side. The work in Theatre of the Self is informed in part by au...
Eros and Oneness / Tamara H. Schenkenberg -- Elective Affinities: Hannah Wilke's Ceramics in Context / Glenn Adamson -- Needed Erase Her? Don't. / Connie Butler -- Daughter/Mother / Catherine Opie -- Ha-Ha-Hannah / Jeanine Oleson -- Cycling Through Gestures to Strike a Pose / Nadia Myre -- Play and Care / Hayv Kahraman -- Cindy Nemser and Hannah Wilke in Conversation, 1975.
'This new edition of An Emporium of Automata delivers a thesis of the theatrically strange placing in the hands of all seekers after the beautiful and weird a grand collection which, for so long, has been privy to the locked bookcases of collectors and connoisseurs of the macabre and fantastique. Story after uncanny story unfolds before the reader; a maze of carnival mirrors that we fear we might never escape from. Here are missing tales from some lost, darkly romantic Germanic madman's attic. The rotting, wooden fissures that manifest fill in a gaping and pockmarked wooden maw somewhere between E.T.A. Hoffmann, Nabokov and Ligotti. To name these vaguely reminiscent stylists is far too simpl...
The Phantasmagorical Imperative and Other Fabrications is D.P. Watt's wonder cabinet of obsessive, carefully written supernatural stories told by a breed of bachelor narrators who are a cross between M.R. James's buttoned-down antiquarians and H.P. Lovecraft's high-strung, slightly hysterical misfits-with a dash of E.T.A. Hoffmann and Bruno Schulz thrown in. The collective fate of these characters is to bend matter or be bent by it into strange new dimensional realities. - Victoria Nelson, author of 'The Secret Life of Puppets'
Deep Listening: A Composer's Sound Practice offers an exciting guide to ways of listening and sounding. This book provides unique insights and perspectives for artists, students, teachers, meditators and anyone interested in how consciousness may be effected by profound attention to the sonic environment . Deep Listening(R) is a practice created by composer Pauline Oliveros in order to enhance her own as well as other's listening skills. She teaches this practice worldwide in workshops, retreats and in her ground breaking Deep Listening classes at Rensselaer Polytechnic Institute and Mills College. Deep Listening practice is accessible to anyone with an interest in listening. Undergraduates with no musical training benefit from the practices and successfully engage in creative sound projects. Many report life changing effects from participating in the Deep Listening classes and retreats. Oliveros is recognized as a pioneer in electronic music and a leader in contemporary music as composer, performer, educator and author. Her works are performed internationally and her improvisational performances are documented extensively on recordings, in the literature and on the worldwide web.
Forfatterne forsøger med udgangspunkt i stednavnestudier, talrige arkæologiske undersøgelser, analyser af omfattende og systematiske metaldetektorafsøgninger samt nye borgstudier at tegne et billede af bebyggelsens på Samsø i vikingetid og middelalder ? dens karakter og udvikling. I flere tilfælde kan bosættelserne føres tilbage til yngre germansk jernalder, samtidig med Kanhavekanalen, der blev anlagt i 720?erne, men efter sandsynlighed stadig var i brug i vikingetiden.
An autobiographical novel that reads more like an exorcism than a novel. In terse and lucid prose, Zurn traces the roots to her obsessions: the exotic father whom she idolized, the impure mother she detested, the masochistic fantasies and onanistic rituals which she said described 'the erotic life of a little girl based on my own childhood.' Dark Spring is the story of a girls's simultaneous initiation to sexuality and madness, revealing a dark side of the 'mad love' so championed and romanticized by the (predominantly male) Surrealists.
Channeling hallucinated versions of dead artists and junkies, these fragments access the uncanny allure of shared experience. Elements of speculative fiction, criticism and encrypted auto-biography merge to form a disconcerting portrait of the artist as addict. Neither denunciation nor valorization, Communions is an attempt to probe the haunting singularity of opiate addiction and its ineradicable influence on art and culture.