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Maccheroni Books
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Miscellaneous Texts
Volume II of Lyotard's Miscellaneous Texts, "Contemporary Artists," gathers thirty-nine essays by Lyotard that deal with twenty-seven influential and innovative contemporary artists.
Signs and Designs
Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Lyotard
Jean-Franois Lyotard, the highly influential twentieth-century philosopher of the postmodern, has had an enormous impact on the course and commitment of contemporary philosophy. Lyotard: Philosophy, Politics, and the Sublime is a thoroughgoing reassessment of his extraordinary legacy and contribution to contemporary cultural, political, ethical, and aesthetic theory, and an indispenable guide to key issues in his philosophy. Fifteen distinguished scholars have contributed new, original essays examining the main themes in Lyotard's work with a focus on the special intersections of philosophy, psychoanalysis, politics, and the experience of the sublime in art. The volume includes an up-to-date bibliography of works by and about Lyotard, previously unpublished photographs of Lyotard, and an incisive essay by Lyotard himself on the philosophical significance of Freud's case of Emma.
Lyotard
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Bruce Andrews and Charles Bernstein's L=a=N=G=U=a=G=e
In February 1978, the L=A=N=G=U=A=G=E newsletter, founded and edited by Charles Bernstein and Bruce Andrews, established the first public venue for the thriving correspondence of an emerging set of ambitious young poets. It circulated fresh perspectives on writing, politics, and the arts. Instead of poems, it published short essays and book reviews on the model of the private letter. It also featured extensive bibliographies and excerpts of cultural, social, and political theory. Bruce Andrews and Charles Bernstein's L=A=N=G=U=A=G=E: The Complete Facsimile makes available in print all twelve of the newsletter's original issues along with three supplementary issues.
Karel Appel, a gesture of colour
"Karel Appel. A gesture of colour is the first of a series of five volumes, bringing together the most important writings of Jean-François Lyotard (1924-1998) on contemporary art and artists. The book he devoted to the art of Karel Appel (1921-2006) is without doubt one of the most complete and inspired texts of all the writing included in the series. Neither the original French manuscript nor the English translation has ever been published before, and their presentation face to face should constitute a considerable plus. In this book, Lyotard presents Karel Appel's "matterism" as an offer of presence, presence deferred -- it is the visual where every predicate is suspended, the visual touched, "gesture" of colour more than property of colour, appearance at the edge of the abyss. Christine Buci-Glucksmann's epilogue situates Karel Appel. A gesture of colour within the whole of Lyotard's writings on art and his subsequent work."--P. [4] of cover.
Bernard Vargaftig
Dans cette monographie, Régis Lefort met en evidence le caractère pictural du poème de Bernard Vargaftig (1934-2012), et la composition musicale de l’œuvre. Il envisage le phénomène de renversement, que ne cesse de convoquer le poète, comme une esthétique poétique, comme l’identité même du poème. Commençant par le dernier vers et remontant jusqu’au premier, le poète creuse la langue du poème pour en identifier la source. Le renversement est aussi une façon de détruire, d’entrer dans l’avalanche, pour rebâtir, aller vers l’aube des mots. Il s’inscrit dans l’omnipresence de la culture hébraïque, selon laquelle la quête du réel ne dévoilerait aucune vérit...
The Work of Mourning
Jacques Derrida is, in the words of the New York Times, "perhaps the world's most famous philosopher—if not the only famous philosopher." He often provokes controversy as soon as his name is mentioned. But he also inspires the respect that comes from an illustrious career, and, among many who were his colleagues and peers, he inspired friendship. The Work of Mourning is a collection that honors those friendships in the wake of passing. Gathered here are texts—letters of condolence, memorial essays, eulogies, funeral orations—written after the deaths of well-known figures: Roland Barthes, Paul de Man, Michel Foucault, Louis Althusser, Edmond Jabès, Louis Marin, Sarah Kofman, Gilles Del...
Assassination of experience by painting, Monory
Lyotard met Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contemporary art since Discourse, Figure. Lyotard's interest in the plastic arts thus fits fully within the setting of his political preoccupations. The artist-protagonist stages the recurring motifs that fascinate Lyotard: the scene of the crime, the revolver, the woman, the victim, glaciers, deserts, stars. The atmosphere of the essays on Monory is "Californian." Monory's imaginary repertoire goes well beyond the masters of modernity and is in line rather with a "modern contemporary surrealism." Both Lyotard and Monory live the "dilemma of Americanization," the America represented by cinema, fashion, novels, music. It is in this atmosphere that Lyotard and Monory will finally evoke their supreme experience of difference: desire and fear, exultation and a profound malaise. The plastic universe of Monory and the aesthetic meditations of Lyotard are in perfect symbiosis. Sarah Wilson's epilogue thoroughly outlines both the history of a friendship and, at the same time, the intellectual and artistic climate of the 1970s.
