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A collection of one hundred columns written between 1962-1987 on subjects such as the Vietnam War, how to fry the perfect egg, and cats―to name a few. Full of the author's wit, compassion, direct and often irreverent observations, and the ability to laugh at himself.
Compiles American and European stage, screen, and television program credits.
Arrogant Captain Bran Donovan rued the day suspected Tory spy Molly McCormick had been captured and smuggled aboard his ship. With her wild raven tresses flowing about her shoulders and her sweet curves barely covered by a buckskin tunic, the half-breed beauty made sharing close quarters a trying test of his nobility. But the rebel privateer wouldn't let her go until he found out how much she knew about his operation. And once he'd had a taste of her soft red lips and felt her slender body trembling in his arms, he knew he couldn't release her until he'd coaxed every tender secret from her silken flesh as well! Seductive Prisoner The handsome captain had locked Molly inside his cramped cabin to keep her safe from his lusty crew, but there was no one to protect the innocent captive from the primitive passion Bran's very nearness evoked. His eyes were as blue as the sea, and they seemed to awaken her very soul. Molly yearned to hate the brash buccaneer, yet with each passing day his hot embraces turned her heart traitor. . .and had her longing for the night when he'd unleash her searing desire and brand her forever as the. . . Smuggler's Woman 100,000 Words
The teaching profession has a long history in motion pictures. As early as the late 19th century, films have portrayed educators of young children--including teachers, tutors, day care workers, nannies, governesses, and other related occupations--in a variety of roles within the cinematic classroom. This work provides a broad index of more than 800 films (both U.S. and foreign) which feature educators as primary characters. Organized alphabetically by title, each entry contains a short plot summary and many also include cast and crew details. A detailed subject index is also included.
This is the amazing story of Ben Johnson, the cowboy who grew up in the tall grass prairie of Oklahoma, rode to Hollywood in a boxcar full of horses and became an Oscar-winning actor. Johnson co-starred in some of Hollywood's greatest Western movies of all time, alongside John Wayne, Clint Eastwood, Steve McQueen, Marlon Brando, Henry Fonda, Charles Bronson, Burt Reynolds, Alan Ladd, and many more. Known as "Son" to his family and friends, Johnson was the son of a three-time world champion rodeo cowboy also named Ben Johnson. Dividing his time between the world of movies and the world of rodeo, "Son" Johnson became one of the greatest rodeo cowboys of all time, winning the 1953 RCA World Cha...
Experienced teachers share innovative, classroom-tested content, methods, and resources for presenting the Cold War in college and high school classes.
The 525 notable works of 19th and 20th century American fiction in this reference book have many stage, movie, television, and video adaptations. Each literary work is described and then every adaptation is examined with a discussion of how accurate the version is and how well it succeeds in conveying the spirit of the original in a different medium. In addition to famous novels and short stories by authors such as Nathaniel Hawthorne, F. Scott Fitzgerald, and Willa Cather, many bestsellers, mysteries, children's books, young adult books, horror novels, science fiction, detective stories, and sensational potboilers from the past two centuries are examined.
On the fictional morning of June 16, 1904—Bloomsday, as it has come to be known—Mr. Leopold Bloom set out from his home at 7 Eccles Street and began his day’s journey through Dublin life in the pages of James Joyce’s novel of the century, Ulysses. Commemorating the 100th anniversary of Bloomsday, Yes I Said Yes I Will Yes offers a priceless gathering of what’s been said about Ulysses since the extravagant praise and withering condemnation that first greeted it upon its initial publication. From the varied appraisals of such Joyce contemporaries as William Butler Yeats (“It is an entirely new thing. . . . He has certainly surpassed in intensity any novelist of our time”) and Virginia Woolf (“Never did I read such tosh”), to excerpts from Tennessee Williams’ term paper “Why Ulysses is Boring” and assorted wit, praise, parody, caricature, photographs, anecdotes, bon mots, and reminiscence, this treasury of Bloomsiana is a lively and winning tribute to the most famous day in literature.