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The Making of a New Science
This book explains the development of theoretical computer science in its early stages, specifically from 1965 to 1990. The author is among the pioneers of theoretical computer science, and he guides the reader through the early stages of development of this new discipline. He explains the origins of the field, arising from disciplines such as logic, mathematics, and electronics, and he describes the evolution of the key principles of computing in strands such as computability, algorithms, and programming. But mainly it's a story about people – pioneers with diverse backgrounds and characters came together to overcome philosophical and institutional challenges and build a community. They collaborated on research efforts, they established schools and conferences, they developed the first related university courses, they taught generations of future researchers and practitioners, and they set up the key publications to communicate and archive their knowledge. The book is a fascinating insight into the field as it existed and evolved, it will be valuable reading for anyone interested in the history of computing.
For Glory and Bolívar
She was a friend, lover, and confidante of charismatic Spanish American independence hero Simón Bolívar and, after her death, a nationalist icon in her own right. Yet authors generally have chosen either to romanticize Manuela Sáenz or to discount her altogether. For Glory and Bolivar: The Remarkable of Life of Manuela Sáenz, by contrast, offers a comprehensive and clear-eyed biography of her. Based on unprecedented archival research, it paints a vivid portrait of the Quito-born "Libertadora," revealing both an exceptional figure and a flesh-and-blood person whose life broadly reflected the experiences of women during Spanish America's turbulent Age of Revolution. Already married at the ...
The Comic Spirit of Federico Garcia Lorca
During the years since his death, Federico García Lorca, Spain's best-known twentieth-century poet and playwright, has generally been considered a writer of tragedy. Three of his major plays are fatalistic stories of suffering and death, and his poetry is filled with dread. Yet most of Lorca's dramatic production consists of comedies and farces. Throughout his poetry and prose, as well as in his most somber plays, runs an undercurrent of humor—dark irony and satire—that is in no way contradictory to his tragic view of life. On the contrary, as Virginia Higginbotham demonstrates, through humor Lorca defines, intensifies, and tries to come to terms with what he sees as the essentially hop...
La Ronda
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