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Liziwe
Liziwe is a story of triumph against the odds. Set in the end of the seventies, the story is a harrowing account of the survival of the siblings of Ncadana following the simultaneous death of parents. The tumultuous events narrated in the story include Liziwe waking up very early in the morning, feeling that something is amiss. Soon thereafter, Manyawuza, the next-door neighbour, makes a gruesome discovery of Liziwes dead father, which is followed in quick succession by the death of Nonzame, Liziwes mother. The elders of the clan of AmaQwathi gather, and they decide to arrange marriage for Liziwe. On hearing this, Liziwe decides to run away from home, together with her siblings, in the process initiating a whirlwind of events that take the orphaned children of Ncadana to Johannesburg and back. Once more, Monde Nkasawe has wonderfully woven together a complex story that gives hope and which honours some of the best values of humanity, especially of lending a helping hand even to a stranger. Liziwe is no doubt a drama with which South Africans of all races and classes, fellow Africans and indeed people everywhere in the world, will definitely identify with.
Kaapse bibliotekaris
Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-
Black Tax
'The real significance of this book lies in the fact that it tells us more about the everyday life of black South Africans. It delves into the essence of black family life and the secret anguish of family members who often battle to cope.' – Niq Mhlongo A secret torment for some, a proud responsibility for others, 'black tax' is a daily reality for thousands of black South Africans. In this thought-provoking and moving anthology, a provocative range of voices share their deeply personal stories. With the majority of black South Africans still living in poverty today, many black middle-class households are connected to working-class or jobless homes. Some believe supporting family members i...
Black Queen White King Check Mate
First and foremost, this is a love story, although the multiple endings fragment the romance into a tragedy and a comedy as well. It is a true story, autobiographical. But it doesnt mention any names. No one is really sure exactly what happened. We may never know. When we do, a sequel could be on the cards! The white groom is writing the story as he sees it, adoring his black bride. He relates the traditional rites of passage and compares them to modern conventions. But after the Lobola is paid, expectations do not materialize, so it gets complicated. Readers can decide which of multiple endings they like best, which they are inclined to believe. In the end, the narrative moves to deep reflection and lessons learned, looking for some value in the experience. The story gives you goose bumps at times, it makes you laugh, it makes you cry, and it might make you cuss. But it will open your eyes. The themes of racism, xenophobia, alcohol abuse, tribal authority, and gender rights all come into play on the South African checkerboard of love. As another writer once famously said: alls fair in love and war.
Apartheid's Festival
Apartheid's Festival highlights the conflicts and debates that surrounded the 1952 celebration of the 300th anniversary of the landing of Jan Van Riebeeck and the founding of Cape Town, South Africa. Taking place at the height of the apartheid era, the festival was viewed by many as an opportunity for the government to promote its nationalist, separatist agenda in grand fashion. Leslie Witz's fine-grained examination of newspapers, brochures, pamphlets, and advertising materials reveals the expectations of the festival planners as well as how the festival was engineered, historical figures were reconstructed, and the ANC and other anti-apartheid organizations mounted opposition to it. While laying open the darker motives of the apartheid regime, Witz shows that the production of local history is part of a global process forged by the struggle between colonialism and resistance. Readers interested in South Africa, representations of nationalism, and the making of public history will find Apartheid's Festival to be an important study of a society in transition.
We Need a Country
None
Truth and Reconciliation Commission of South Africa Report
CD-ROM contains full text of print volumes and expanded name index.
Making Life and Lemonade
Have you ever had a terrible boss? Maki dreads the alarm clock a bit more than for the extra five minutes of sleep. Her work troubles follow her home like shadows that unwittingly creep on to the quality of her life. Can she find the courage to stand up to her boss or will she collapse under the weight of the boss lady's words?
