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Black Winning Jockeys in the Kentucky Derby
Oliver Lewis was champion jockey of the Kentucky Derby in 1875 with a winning race time of two minutes and 37 seconds. Jockey Willie Simms won in 1896, bringing his horse in at two minutes and seven seconds. James Winkfield was the winning jockey in both 1901 and 1902 with winning race times of two minutes and seven seconds and two minutes and eight seconds, respectively. Each of these men possessed the skill and power necessary to spur a horse to glorious victory. All are members of the small, select group of Derby-winning jockeys who were African Americans. The stakes were high: Black jockeys who won a race in the late 1700s and 1800s sometimes won freedom from slavery as well. This work examines the presence of black jockeys in the Kentucky Derby, from the first instance of slaves working as stable hands and tending their masters' horses to the first black jockey to win the prestigious Kentucky Derby in 1875 and the continued participation of black jockeys in the Kentucky Derby. Black owners and trainers in the Kentucky Derby are also discussed. Three appendices list black winning jockeys, black trainers and black owners of Kentucky Derby horses.
Race Horse Men
Katherine C. Mooney recaptures the sights, sensations, and illusions of America’s first mass spectator sport. Her central characters are not the elite white owners of slaves and thoroughbreds but the black jockeys, grooms, and horse trainers who called themselves race horse men and made the racetrack run—until Jim Crow drove them from their jobs.
The Kentucky African American Encyclopedia
The story of African Americans in Kentucky is as diverse and vibrant as the state's general history. The work of more than 150 writers, The Kentucky African American Encyclopedia is an essential guide to the black experience in the Commonwealth. The encyclopedia includes biographical sketches of politicians and community leaders as well as pioneers in art, science, and industry. Kentucky's impact on the national scene is registered in an array of notable figures, such as writers William Wells Brown and bell hooks, reformers Bessie Lucas Allen and Shelby Lanier Jr., sports icons Muhammad Ali and Isaac Murphy, civil rights leaders Whitney Young Jr. and Georgia Powers, and entertainers Ernest H...
Watermelons, Nooses, and Straight Razors
All groups tell stories, but some groups have the power to impose their stories on others, to label others, stigmatize others, paint others as undesirables—and to have these stories presented as scientific fact, God’s will, or wholesome entertainment. Watermelons, Nooses, and Straight Razors examines the origins and significance of several longstanding antiblack stories and the caricatures and stereotypes that support them. Here readers will find representations of the lazy, childlike Sambo, the watermelon-obsessed pickaninny, the buffoonish minstrel, the subhuman savage, the loyal and contented mammy and Tom, and the menacing, razor-toting coon and brute. Malcolm X and James Baldwin bot...
The Prince of Jockeys
Isaac Burns Murphy (1861--1896) was one of the most dynamic jockeys of his era. Still considered one of the finest riders of all time, Murphy was the first jockey to win the Kentucky Derby three times, and his 44 percent win record remains unmatched. Despite his success, Murphy was pushed out of Thoroughbred racing when African American jockeys were forced off the track, and he died in obscurity. In The Prince of Jockeys: The Life of Isaac Burns Murphy, author Pellom McDaniels III offers the first definitive biography of this celebrated athlete, whose life spanned the Civil War, Reconstruction, and the adoption of Jim Crow legislation. Despite the obstacles he faced, Murphy became an important figure -- not just in sports, but in the social, political, and cultural consciousness of African Americans. Drawing from legal documents, census data, and newspapers, this comprehensive profile explores how Murphy epitomized the rise of the black middle class and contributed to the construction of popular notions about African American identity, community, and citizenship during his lifetime.
Urban Renewal and the End of Black Culture in Charlottesville, Virginia
From the 1920s through the 1950s, the center of black social and business life in Charlottesville, Virginia, was the area known as Vinegar Hill. But in 1960, noting the prevalence of aging frame houses and "substandard" conditions such as outdoor toilets, voters decided that Vinegar Hill would be redeveloped. Charlottesville's black residents lost a cultural center, largely because they were deprived of a voice in government. Vinegar Hill's displaced residents discuss the loss of homes and businesses and the impact of the project on black life in Charlottesville. The interviews raise questions about motivations behind urban renewal. Instructors considering this book for use in a course may request an examination copy here.
African American Lives
In the long-awaited successor to the "Dictionary of American Negro Biography," the authors illuminate history through the immediacy of individual experience, with authoritative biographies of some 600 noteworthy African Americans.
The Dorothy West Martha's Vineyard
This book is a compilation of selected stories, essays, and reminiscences that Dorothy West wrote for the Vineyard Gazette from the 1960s to the early 1990s. In these entries, West retraces life on the island as she experienced it from 1908, when she was an infant, to 1993 when she wrote her final column. Born in 1907 in Boston, Dorothy West went on to develop into a prize-winning author by the time she was in her teens. The 1926 award she received in New York, and the lure of the city itself, inspired West to leave Boston and join what was then a fledgling literary movement that would evolve into the Harlem Renaissance. She circulated among what in essence was the black literary "royalty" o...
