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Monica Ross
British artist Monica Ross (19502013), a pivotal artist in the 1980s feminist movement, left behind a 40-year body of pioneering and socially engaged performance-driven artwork. Her timeless pieces continue to have a deep effect on contemporary artists and society today. Presented for the first time is this extensively illustrated document of Rosss works from 1970 to 2013 including Rosss early feminist collaborative works, drawings made at the Greenham Common Womens Peace Camp in the 1980s, poster designs for the antinuclear movement, works relating to the writings of Walter Benjamin, and documentation from the sixty performances of Anniversaryan act of memory (200813), solo, collective and multilingual recitations from memory of the Universal Declaration of Human Rights, which concluded with a final collaborative performance at the UN in Geneva on the day of Rosss death. Informative essays by Jorn Ebner, Esther Leslie, Eric Levi Jacobson, Alexandra M. Kokoli, Denise Robinson,Monica Ross and Yve Lomax along with extensive archival documentation by Bernard G. Mills.
Television Dialogue
This book explores a virtually untapped, yet fascinating research area: television dialogue. It reports on a study comparing the language of the American situation comedy Friends to natural conversation. Transcripts of the television show and the American English conversation portion of the Longman Grammar Corpus provide the data for this corpus-based investigation, which combines Douglas Biber’s multidimensional methodology with a frequency-based analysis of close to 100 linguistic features. As a natural offshoot of the research design, this study offers a comprehensive description of the most common linguistic features characterizing natural conversation. Illustrated with numerous dialogue extracts from Friends and conversation, topics such as vague, emotional, and informal language are discussed. This book will be an important resource not only for researchers and students specializing in discourse analysis, register variation, and corpus linguistics, but also anyone interested in conversational language and television dialogue.
Speech and Language
This book demonstrates how students can apply what they have learned to bridge the gap between theory and therapy as they begin their professional practice. The authors argue that the only way to be ready to face the demands of professional practice and life-long learning is to acquire a thorough understanding of the process and practice of clinical work. Fully revised, this second edition incorporates: new standards of service delivery and clinical competencies registration of the profession under the Health Professions Council collaborative working with shared client programmes and records client-centred philosophy and social models of intervention The authors emphasize the need to have a sound knowledge of what the profession is and who it encompasses; the awareness of the concepts that underpin decision-making, planning and choice of activities; and understanding of the philosophies that drive the choice of working practices.
The Friday Poem
An anthology of new New Zealand verse, which first appeared in the popular Friday Poem slot in The Spinoff website. It features some of the most well-known and established names in New Zealand poetry as well as new, exciting writers. It is a showcase of New Zealand poetry.
Thick as a Brick
Thick as a Brick is a story of desire and denial. It’s about friend-zoning someone, even when you wanna jump his bones. Because he calls you perfect, but you know he’s a threat to your heart. Tattoos, boyish charm, a million-dollar bank balance, and a faulty filter between his brain and his mouth? That’s romance author, Drew Katterman. Big boobs, tiny waist, wide hips, and a painful case of self-consciousness? That’s me, up-and-coming audiobook narrator, Zelda Gordon. Drew’s fans call him brilliant. His detractors call him a playboy. My reviewers call me talented. My enemies call me opportunistic. Drew? He calls me perfect. And I call him a threat to my heart because he’s flirtat...
Dimensions of Humor
This is the first edited volume dedicated specifically to exploring humor in the academic world. It is a rich collection of essays by an international array of scholars representing various theoretical perspectives and practical orientations in the disciplines of Linguistics, Literature, Cultural Studies, and Translation, but all concerned with the interactional aspects of humor. The two main reasons behind the publication of this volume are, first, to continue the journey along the path towards full recognition of humor as a discipline worthy of research and assessment, and, second, to offer a new and integrating perspective on hu¬mor to showcase the wide range of dimensions that it offers. This book is sure to become an important reference and source of inspiration for scholars in the various subfields of Humor Studies: Linguistics, Literature, Cultural Studies, and Translation.
Friends
A cultural phenomenon for a decade, Friends ranked in the top ten for every year of its original run, an accomplishment unmatched by any other scripted series. And more than twenty-five years since its theme song promised “I’ll be there for you,” Rachel, Monica, Phoebe, Joey, Chandler, and Ross are still entertaining audiences around the world. As the characters maneuvered their ways through dating, love, and the occasional conflict, their loyalty to each other remained steadfast. In Friends: A Cultural History, Jennifer C. Dunn explores why the show immediately took hold of viewers and how the series remained must-see TV for so long. Dunn examines the cultural landscape that allowed a...
Performing Human Rights
This book enhances critical perspectives on human rights through the lens of performance studies and argues that contemporary artistic interventions can contribute to our understanding of human rights as a critical and embodied doing. This study is situated in the contemporary discourse of asylum and political art practices. It argues for the need to reimagine human rights as performative and embodied forms of recognition and practical honouring of our shared vulnerability and co-dependency. It contributes to the debate of theatre and migration, by understanding that contemporary asylum issues are complex and context specific, and that they do not only pertain to the refugee, migrant, asylum seeker or stateless person but also to privileged constituencies, institutional structures, forms of organisation and assembly. The book presents a unique mixed-methods approach that focuses equally on performance analyses and on political philosophy, critical legal studies and art history – and thus speaks to a range of politically interested scholars in all four fields.
The Plot to Ice Governor Tea
Disenchanted Minnesota voters repudiated both major political parties and elected a handsome star of motion pictures and television to be their governor. It fell to the suave double-dealing state ombudsman to protect not only the governor but those in the legislature who sought to replace him. Among the more sinister were a philandering senator who could not keep his pants zipped, and a part-time actor, expatriate New Yorker, who could arrange anything, including murder. Murder proved to be contagious; a newspaper columnist wanted a piece of the action, as did a juvenile delinquent who thought he had made the big time when the Don hired him as a hit man. Only Ross Scotyard, the young private investigator who had been sent to establish an office in the Twin Cities stood in their way. And only Ross Scotyard could obtain justice for the Lady in the Lake.
Friends
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