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Teeth in the Back of my Neck
'This is a courageous, arresting debut from a poet to watch.' Independent 'A vital contribution to literature' HUCK Chosen as one of Bustle's Best Debut Books of 2021 Chosen as one of Glamour's 'best poetry books' _________________________________________________________ An arresting debut collection about identity, ancestry and history, from a young poet selected as an inaugural winner of the #Merky Books New Writers' Prize, dedicated to discovering the best writers of a new generation. Written with profound depth and insight, the poems in Teeth in the Back of My Neck explore the joys, the confusions and the moments of sadness behind having one's history scattered around the globe - and the way in which your identity is always worn on your skin, whether you like it or not. Bristling with tension and beautifully realised, Monika Radojevic's impressive debut collection is an introduction to one of the most exciting and impressive poets of her generation.
A Beautiful Lack of Consequence
Across thirty striking tales, Monika Radojevic weaves together the surreal with the everyday, confronting the experiences of contemporary womanhood with a tender ferocity shot through with humour. A woman walks into a bar, and nobody notices. A newly married couple are punished for their childlessness with an unsettling nocturnal invasion. A girl trades her vocal cords for a chance at freedom. A door-to-door salesperson offers the antidote to women’s fear – but it comes at a high price. Bubbling with an urgent rage that occasionally tips over into vengeance, Radojevic deftly charts the moments that make a life: from the warmth of first love to the recognition of anger, and the possibilities that take shape as we find or lose our ability to speak. A Beautiful Lack of Consequence explores the ways in which the world bends and breaks women with the pressure it puts on them – and what happens when those women snap back. Moving and irreverent, dark and otherworldly, A Beautiful Lack of Consequence is a blazing debut collection from the winner of the #Merky Books New Writers’ Prize.
We Are All Birds of Uganda
____________________________________ ‘You can’t stop birds from flying, can you, Sameer? They go where they will...’ 1960s UGANDA. Hasan is struggling to run his family business following the sudden death of his wife. Just as he begins to see a way forward, a new regime seizes power, and a wave of rising prejudice threatens to sweep away everything he has built. Present-day LONDON. Sameer, a young high-flying lawyer, senses an emptiness in what he thought was the life of his dreams. Called back to his family home by an unexpected tragedy, Sameer begins to find the missing pieces of himself not in his future plans, but in a past he never knew. ____________________________________ Moving between two continents and several generations over a troubled century, We Are All Birds of Uganda is a multi-layered, moving and immensely resonant novel of love, loss, and what it means to find home. It is the first work of fiction by Hafsa Zayyan, co-winner of the inaugural #Merky Books New Writers’ Prize, and one of the most exciting young novelists of today.
Teeth in the Back of my Neck
'This is a courageous, arresting debut from a poet to watch.' Independent 'A vital contribution to literature' HUCK Chosen as one of Bustle's Best Debut Books of 2021 Chosen as one of Glamour's 'best poetry books' _________________________________________________________ An arresting debut collection about identity, ancestry and history, from a young poet selected as an inaugural winner of the #Merky Books New Writers' Prize, dedicated to discovering the best writers of a new generation. Written with profound depth and insight, the poems in Teeth in the Back of My Neck explore the joys, the confusions and the moments of sadness behind having one's history scattered around the globe - and the way in which your identity is always worn on your skin, whether you like it or not. Bristling with tension and beautifully realised, Monika Radojevic's impressive debut collection is an introduction to one of the most exciting and impressive poets of her generation.
The Residence
#1 New York Times Bestseller “A revealing look at life inside the White House. . . it’s Downton Abbey for the White House staff.”— The Today Show A remarkable history with elements of both In the President’s Secret Service and The Butler, The Residence offers an intimate account of the service staff of the White House, from the Kennedys to the Obamas. America’s First Families are unknowable in many ways. No one has insight into their true character like the people who serve their meals and make their beds every day. In her runaway bestseller, former White House correspondent Kate Andersen Brower pulls back the curtain on the world’s most famous address. Full of stories and deta...
The Melancholy of Anatomy
In The Melancholy of Anatomy, his ninth collection of poetry, Martin Corless-Smith turns his attention towards ageing and mortality, and in particular to the death of his father. Shifting between formal verse and prose, from the metaphysical to the whimsical, from surreal to anecdotal, the book moves between poetic articulations as a mind might through memories, sifting to find anything to hold on to as everything flows and falls away. At times melancholic at times nihilistic at times luminous and dark, this collection asks questions about poetry, memory and what it is to have loved and lived. Praise for The Fool and The Bee: "Corless-Smith has an extraordinary eye for detail and this meticu...
Bioindicators & Biomonitors
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Keisha The Sket
WINNER OF THE BRITISH BOOK DISCOVER AWARD 2022 Where were you when Keisha the Sket first broke the internet? Keisha is a girl from the ends, sharp, feisty and ambitious; she's been labelled 'top sket' but she's making it work. When childhood crush and long-time admirer, Ricardo, finally wins her over, Keisha has it all: power, a love life and the chance for stability. But trauma comes knocking and with it a whirlwind of choices that will define what kind of a woman she truly wants to be. Told with the heart and soul of the inner city, with an unforgettable heroine, Keisha the Sket is a revelation of the true, raw, arousing and tender core of British youth culture. Complete with essays from esteemed contemporary writers Candice Carty-Williams, Caleb Femi and Aniefiok Ekpoudom.
Because of Poetry I Have a Really Big House
Poetry. "Offense given; offense taken. Betrayals remembered and the betrayers unforgiven. Kent Johnson's mordant poems burn away the scrimshaw, the lace-making, the dreck that passes for poetry today, exposing the hypocrisy of our official poetry culture where a cadre of pampered bourgeoisie imagine themselves enlightened revolutionaries, and the poetics of the avant-garde has congealed into a set of implicit rules more formulaic than the traditions it seeks to supplant. A book like this is rare and necessary in every age. Let the refiner's fire break forth, lest universal darkness bury all."--James Chapson "Kent Johnson is an avant-garde poet without an avant-garde...[He is] an antidote to the sentimental courtesies and complacencies that prevent a conversation about what and where poetry might be from soon beginning."--Keith Tuma "[Kent] Johnson's poems are like unchained pit bulls tossed into a school yard--somebody is going to get bit. But you almost have to admire all that taut muscle & those unstoppable jaws."--Ron Silliman
The Ms of My Kin
Poetry. Explains Janet Holmes: "If you write out 'The Poems of Emily Dickinson' and erase some of the letters very neatly and precisely, you can get to THE MS OF M Y KIN—the manuscript of my kin, as it were; the manuscript of my family. It might also be said to be the manuscript of my kind." "If Ronald Johnson had an epic (Paradise Lost) to erase in creating his masterwork, RADI OS, then Janet Holmes has chosen a more difficult task, namely that of erasing from the most compressed poetry there is. Emily Dickinson's poems come to us so nearly pre-erased that their further erasure by Holmes dramatically frees instances of prophecy, voices from 1861-62 rediscovered in contemporary political discourse. It seems that the best of the embeds in Iraq was Emily Dickinson; read her reports from the (af)front here"—Susan M. Schultz.
