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Encounter
This historical novel, Encounter (Mannam), by Hahn Moo-Sook, one of Asia's most honored writers, is a story of the resilience in the Korean spirit. It is told through the experiences of Tasan, a high-ranking official and foremost Neo-Confucian scholar at the beginning of the nineteenth century. Because of Tasan's fascination with Western learning, then synonymous with Catholicism, he is exiled to a remote province for 18 years. In banishment he meets people from various social and religious backgrounds—Buddhist monks, peasants, shamans—whom he would not otherwise have met. The events of Tasan's life are effectively used to depict the confluence of Buddhist, Neo-Confucian, Taoist, and sha...
And So Flows History
A deeply compelling saga of love, jealously, honor, and greed, And So Flows History (Yôksanûn hûrûnda, 1947) depicts the relentless power of exterior forces on the individual lives of three generations of the illustrious Cho family—from the waning years of the Choson dynasty in the late nineteenth century to the tumultuous postliberation era.
Questioning Minds
Available for the first time in English, the ten short stories by modern Korean women collected here touch in one way or another on issues related to gender and kinship politics. All of the protagonists are women who face personal crises or defining moments in their lives as gender-marked beings in a Confucian, patriarchal Korean society. Their personal dreams and values have been compromised by gender expectations or their own illusions about female existence. They are compelled to ask themselves "Who am I?" "Where am I going?" "What are my choices?" Each story bears colorful and compelling testimony to the life of the heroine. Some of the stories celebrate the central character’s breakaw...
Creative Women of Korea: The Fifteenth Through the Twentieth Centuries
This book introduces important contributions in the humanities by a select group of traditional and modern Korean women, from the 15th through the 20th centuries. The literary and artistic works of these women are considered Korean classics, and the featured artists and writers range from a queen, to a courtesan, to a Buddhist nun, to unknown women of Korea. Although women's works were generally meant only to circulate among women, these creative expressions have caught the attention of literary and artistic connoisseurs. By bringing them to light, the book seeks to demonstrate how Korean women have tried to give their lives meaning over the ages through their very diverse, yet common artistic responses to the details and drama of everyday life in Confucian Korea. The stories of these women and their work give us glimpses of their personal views on culture, aesthetics, history, society, politics, morality, and more.
The Calligrapher's Daughter
'A beautiful, deliberate and satisfying story spanning thirty years of Korean history' Publishers' Weekly 'Kim weaves a wonderfully nuanced historical portrait, rich in detail and resonant with meaning and wisdom' Independent In Korea, Najin Han, the privileged daughter of a calligrapher, longs to choose her own destiny. Smart and headstrong, she is encouraged by her mother - but her stern father is determined to maintain tradition, especially as the Japanese steadily gain control of his beloved country. When he seeks to marry fourteen-year-old Najin into an aristocratic family, her mother defies generations of obedient wives and instead sends her daughter to serve in the king's court as a c...
Tsukiji
Publisher Description
Creative Women of Korea: The Fifteenth Through the Twentieth Centuries
This book introduces important contributions in the humanities by a select group of traditional and modern Korean women, from the 15th through the 20th centuries. The literary and artistic works of these women are considered Korean classics, and the featured artists and writers range from a queen, to a courtesan, to a Buddhist nun, to unknown women of Korea. Although women's works were generally meant only to circulate among women, these creative expressions have caught the attention of literary and artistic connoisseurs. By bringing them to light, the book seeks to demonstrate how Korean women have tried to give their lives meaning over the ages through their very diverse, yet common artistic responses to the details and drama of everyday life in Confucian Korea. The stories of these women and their work give us glimpses of their personal views on culture, aesthetics, history, society, politics, morality, and more.
The Mermaid from Jeju
An “entrancing” historical fiction debut “brimming with lyricism and magic” that explores what it means to truly love in the wake of devastation—inspired by true events on Korea’s Jeju Island (Jennifer Rosner, The Yellow Bird Sings). In the aftermath of World War II, Goh Junja is a girl just coming into her own. She is the latest successful deep sea diver in a family of strong haenyeo. Confident she is a woman now, Junja urges her mother to allow her to make the Goh family's annual trip to Mt. Halla, where they trade abalone and other sea delicacies for pork. Junja, a sea village girl, has never been to the mountains, where it smells like mushrooms and earth. While there, she fal...
The Untold Story of the Korean Film Industry
This book analyses the Korean film industry emergence and development in a global business and economic perspective. This is one of the first books to compare the film policies and industries of the world’s six largest film industries – featuring Korea as the central character – with the aim of defining the contours of what constitutes an effective film policy. It presents many cases showing that, contrary to what is often believed, an economically sound policy is a good instrument for achieving desired cultural goals. It uses a set of analytical tools – borrowed from the economic analysis of international trade policies – to provide a rich harvest of new, rigorous, and often unexp...
The Mosquito Bite Author
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
