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'A dark, elegiac play, studded with brutally and swaggeringly funny jokes.' Sunday Times 'A deeply poignant, raffishly comic, emotion-charged study of the gulf between parents and children and the anguish of approaching death... Beckett, the poet of terminal stages, inevitably comes to mind. What instantly moves one is Pinter's image of a man confronting death in a spirit of rage, fear and uncertainty... The piss-taking Pinter humour and the undercutting of verbal pretence are all there. But what makes this an extraordinary play is that Pinter both corrals his familiar themes - the subjectiveness of memory, the unknowability of one's lifelong partner, the gap between the certain present and ...
'Antal Szerb is one of the great European writers' Ali Smith 'A novel to love as well as admire, always playful and ironical, full of brilliant descriptions, bon mots and absurd situations' Guardian A major modern classic: the turbulent story of a businessman torn between middle-class respectability and sensational bohemoia Mihály and Erzsi are on honeymoon in Italy. Mihály has recently joined the respectable family firm in Budapest, but as his gaze passes over the mysterious back-alleys of Venice, memories of his bohemian past reawaken his old desire to wander. When bride and groom become separated at a provincial train station, Mihály embarks on a chaotic and bizarre journey that leads ...
Jan Ormerod's classic wordless picture books, SUNSHINE and MOONLIGHT, are back in print at last, in these special 40th anniversary editions.It's nearly bedtime and a little girl is eating her dinner, playing in the bath and saying goodnight to her toys. But she's not quite ready to sleep yet.'I depend on the adult to create the right atmosphere and help children read them. When this happens, it is a time for physical closeness and comfort, a quiet time for sharing ideas and feelings, for laughing and learning together.' -- Jan OrmerodChildren's Book Council of Australia -- Shortlisted for Picture Book of the Year, 1983.
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In Moonlight Bay, the hours after midnight can be a time of terror... In Fear Nothing, Dean Koontz weaves a spine-chilling novel, full of terror and suspense. Perfect for fans of Stephen King and Harlan Coben. 'Scary. Koontz can really spook, and his dialogue and pacing rival the best' - New York Post I have been one acquainted with the night. Christopher Snow is athletic, handsome enough, intelligent, romantic, funny. But his whole life has been affected by xeroderma pigmentosum, a rare genetic disorder that means his skin and eyes cannot be exposed to sunlight. Like all Xpers, Chris lives at night - and has never ventured beyond his hometown of Moonlight Bay, a place of picturesque beauty ...
Moonlight Wonder captures a childs imagination one autumn morning. In the quiet, dark, and undisturbed minutes before dawn, the childs fascination with the moonlight sets his mind wondering, Where did it come from? Did it travel very far? Does the big bang theory explain it all? Through his knowledge of science, his imagination, and his faith, this young child arrives at a delightful understanding of moonlight.
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Allrich promotes cooking with the intention of gravitating toward the nourishment the body needs most. The book includes lunar menus, 120 recipes, tips for using herbs magickally, and more.
“Nobody who has not taken one can imagine the beauty of a walk through Rome by full moon,” wrote Goethe in 1787. Sadly, the imagination is all we have today: in Rome, as in every other modern city, moonlight has been banished, replaced by the twenty-four-hour glow of streetlights in a world that never sleeps. Moonlight, for most of us, is no more. So James Attlee set out to find it. Nocturne is the record of that journey, a traveler’s tale that takes readers on a dazzling nighttime trek that ranges across continents, from prehistory to the present, and through both the physical world and the realms of art and literature. Attlee attends a Buddhist full-moon ceremony in Japan, meets a mo...
As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic clichés, provoking conflicting responses: some modern artists and intellectuals embrace the resistance to modernity manifest in Venice's labyrinthine premodern form and temporality, whereas others aspire to modernize by "killing the moonlight" of Venice, in the Futurists' notorious phrase. Spanning the history of literature, art, and architecture—from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri,...