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If you've ever wanted to backpack in Europe... If you want to relive your adventures... If you love good travel writing... Better than guidebooks, these first-person accounts paint vivid pictures of a traveler's experience in Europe. Like familiar music and favorite scents, they'll awaken a taste for adventure in those who have yet to travel, and bring back memories for those who have. Romance, surprise, discovery and wisdom all bubble through these authors' inviting pieces. At last, a collection of first-person eye-witness adventures that will keep you laughing, wondering, and walking with the well-traveled story tellers who take you inside Europe's must-see places. Billy Anderson stares down death at the running of the bulls in Pamplona. Lisa Cordeiro takes a "will work for food" approach to travel as a waitress at a Paris restaurant. And Mike Riley's desperate search for underwear in a Portuguese market... well, that's another story.
Dramatic, amusing, and engaging observations of a major climb by a first-time climber.
Antiquity, as the term has been understood and used over the centuries by scholars, political and religious figures, and ordinary citizens, is far from a single, monolithic concept. Rather than reflecting a stable, shared understanding about the past and its meaning, the idea of antiquity is instead varying and multiple, taking on different meanings and deployed to different effects depending on the context in which it is being considered. In this volume, historians from a wide range of specialties offer a comparative assessment of the multiple perceptions of antiquity that have shaped modern European cultures and national identities, deploying a new methodological approach, histoire croisée, which considers these questions in light of the development of cultural diversity across Europe.
Heiner Ruland charts a practical path towards a deepened musical understanding, illuminating the panorama of humanity's musical past. Indicating what may happen - and needs to happen - to music in the immediate and more distant future, the implications of this book for composition, musical education and therapy are immense. The author shows how the fundamental elements of music embody distinctive modes of consciousness. He examines the musical systems of ancient humanity and goes on to draw a vivid picture of our contemporary musical situation. This seminal work is more than a theoretical treatise on the nature of music, but a book to be understood and experienced through musical practice.