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Get the Picture
How do photojournalists get the pictures that bring us the action from the world's most dangerous places? How do picture editors decide which photos to scrap and which to feature on the front page? Find out in Get the Picture, a personal history of fifty years of photojournalism by one of the top journalists of the twentieth century. John G. Morris brought us many of the images that defined our era, from photos of the London air raids and the D-Day landing during World War II to the assassination of Robert Kennedy. He tells us the inside stories behind dozens of famous pictures like these, which are reproduced in this book, and provides intimate and revealing portraits of the men and women who shot them, including Robert Capa, Henri Cartier-Bresson, and W. Eugene Smith. A firm believer in the power of images to educate and persuade, Morris nevertheless warns of the tremendous threats posed to photojournalists today by increasingly chaotic wars and the growing commercialism in publishing, the siren song of money that leads editors to seek pictures that sell copies rather than those that can change the way we see the world.
Baghdad
"Truth Lies Within" tells the story of the people in the ancient city of Baghdad, before, during, and after the war that took place in Iraq in the spring of 2003. It tells the story of the fall of Saddam Hussein's regime and of the chaos which accompanied the arrival of the Americans. But more than anything else, as its title suggests, this book is concerned with telling the truth--and rightly so, because few wars of modern times have ever been so lied about. An emotional diary of 200 photographs, "Truth Lies Within" also includes written contributions from highly esteemed journalists. Jon Lee Anderson, foreign correspondant with "The New Yorker," who was embedded in Baghdad as the bombs fell, offers a preface. Observations come from Monica G. Prieto of "El Mundo." And John Morris, the photo editor of "The New York Times" during the Vietnam War, closes the book with an afterword.
Get the Picture
The history of photojournalism as told along with this photographer's life, from Robert "Capa's heroism on D-Day to the special ethical problems that arose for photographers and their editors on the night Princess Diana died."--Jacket.
The Decisive Network
Since its founding in 1947, the legendary Magnum Photos agency has been telling its own story about photographers who were witnesses to history and artists on the hunt for decisive moments. Based on unprecedented archival research, The Decisive Network unravels Magnum’s mythologies to offer a new history of what it meant to shoot, edit, and sell news images after World War II. Nadya Bair shows that between the 1940s and 1960s, Magnum expanded the human-interest story to global dimensions while bringing the aesthetic of news pictures into new markets. Working with a vast range of editorial and corporate clients, Magnum made photojournalism integral to postwar visual culture. But its photogr...
The City Record
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