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Mosaics, Empresses and Other Things in Byzantium
This volume consists of 15 articles published between 1991 and 2018. It falls into three sections, reflecting different areas of Liz James’s interests. The first section deals with light and colour and mosaics: four articles considering light and colour in mosaics and the making of mosaics, as well as the question of what it means to define mosaics as ‘Byzantine’ are reprinted. The second brings together four pieces on empresses: their relationships with female personifications and the Mother of God; their roles in founding and refounding buildings; and their employment as ciphers by some authors. Finally, seven papers cover a range of topics: what monumental images of saints in church...
Byzantine Mosaics in Norman Sicily
Sicily is famous for the spectacular mosaics found in its magnificent palaces, chapels and cathedrals. Commissioned during the twelfth century by Sicily's Norman rulers and largely the work of Greek-speaking mosaicists brought to Sicily from Constantinople, these mosaics are among the most beautiful examples of Byzantine art in existence. A brief historical introduction about Byzantine, Arab and Norman domination and the spread of Byzantine art in Sicily is followed by three chapters dedicated to the greatest examples of Byzantine influence in Palermo, Cefalù and Monreale. With more than 175 color photographs, this extensively illustrated book provides a fascinating look at these mosaics. There are many close-ups, along with breathtaking views of interior spaces. Text in English and Italian.
Saints and Spectacle
Saints and Spectacle examines the origins and reception of the Middle Byzantine program of mosaic decoration. This complex and colorful system of images covers the walls and vaults of churches with figures and compositions seen against a dazzling gold ground. The surviving eleventh-century churches with their wall and vault mosaics largely intact, Hosios Loukas, Nea Moni and Daphni in Greece, pose the challenge of how, when and where this complex and gloriously conceived system was created. Using an interdisciplinary approach, Connor explores the urban culture and context of church-building in Constantinople, capital of the Byzantine Empire, during the century following the end of Iconoclasm...
Mosaics, Empresses and Other Things in Byzantium
This volume consists of 15 articles published between 1991 and 2018. It falls into three sections, reflecting different areas of Liz James's interests. The first section is light and colour and mosaics, where four articles considering light and colour in mosaics and the making of mosaics, as well as the question of what it means to define mosaics as 'Byzantine' are reprinted. The second brings together four pieces on empresses: their relationships with female personifications and the Mother of God, their roles in founding and refounding buildings, and their employment as ciphers by some authors. Finally, seven papers cover a range of topics what monumental images of saints in churches might ...
Byzantine Mosaics
With the luxury of their materials, technical precision, beauty, and aesthetic grandeur, Byzantine mosaics, particularly the wall mosaics, constitute the most impressive manifestation of Byzantine monumental painting. Highly expensive and laborious works of art, they were commissioned and dedicated by emperors, dignitaries, state officials and members of the Church hierarchy, in order to enhance the dwellings of Divinity, important churches and monasteries; and at the same time to manifest the power, glory and legendary wealth of His earthly representatives. A brilliant selection of mosaics from twenty-five famous monuments are presented here by Nano Chatzidakis, Professor of Byzantine Art a...
Mosaics of the Greek and Roman World
This book provides a comprehensive account of mosaics in the ancient world from the early pebble mosaics of Greece to the pavements of Christian churches in the East. Separate chapters in Part I cover the principal regions of the Roman Empire in turn, in order to bring out the distinctive characteristics of their mosaic workshops. Questions of technique and production, of the role of mosaics in architecture, and of their social functions and implications are treated in Part II. The book discusses both well-known works and recent finds, and balances consideration of exceptional masterpieces against standard workshop production. Two main lines of approach are followed throughout: first, the role of mosaics as a significant art form, which over an unbroken span illuminates the evolution of pictorial style better than any comparable surviving medium; and secondly, their character as works of artisan production closely linked to their architectural context.
Saints and Spectacle
The awe-inspiring mosaics covering the walls, vaults, and domes of Byzantine churches of the medieval period still remain a mystery to modern viewers. Saints and Spectacle ventures into the world of ninth- and tenth-century Constantinople, the capital of the Byzantine Empire, to recapture the spirit of Byzantine thought and expression after Iconoclasm. Texts, artworks, and the archaeological record aid in reconstructing the visual and literary context of the age of the first rulers of the Macedonian Dynasty.
New Light on Old Glass
This new publication brings together a range of leading scholars from Europe, America and the Middle East to discuss the most recent research in the field of Byzantine glass and mosaics in an interdisciplinary context. New Light on Old Glass explores how mosaics are perhaps the most outstanding examples of Byzantine art which survive; revealing changing aesthetics and issues surrounding the technical production of glass in medieval artistic practices. This is the first time that so many diverse papers, ranging from art history, archaeology, chemistry, physics and Byzantine studies have been assembled in one volume, and is the culmination of a five-year research programme on the Composition of Byzantine Glass Mosaic Tesserae, conducted by the University of Sussex in conjunction with the British Museum and sponsored by the Leverhulme Trust.
