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Diverging Paths?
Diverging Paths? investigates an important question, to which the answers must be very complex: “why did certain sorts of institutionalisation and institutional continuity characterise government and society in Christendom by the later Middle Ages, but not the Islamic world, whereas the reverse end-point might have been predicted from the early medieval situation?” This core question lies within classic historiographical debates, to which the essays in the volume, written by leading medievalists, make significant contributions. The papers, drawing on a wide range of evidence and methodologies, span the middle ages, chronologically and geographically. At the same time, the core question relates to matters of strong contemporary interest, notably the perceived characteristics of power exercised within Islamic Middle Eastern regimes. Contributors are Stuart Airlie, Gadi Algazi, Sandro Carocci, Simone Collavini, Emanuele Conte, Nadia El Cheikh, Maribel Fierro, John Hudson, Caroline Humfress, Michel Kaplan, Hugh Kennedy, Simon MacLean, Eduardo Manzano, Susana Naroztky, Annliese Nef, Vivien Prigent, Ana Rodríguez, Magnus Ryan and Bernard Stolte.
Empire of the Romans
A wide-ranging survey of the history of the Roman Empire—from its establishment to decline and beyond Empire of the Romans, from Julius Caesar to Justinian provides a sweeping historical survey of the Roman empire. Uncommonly expansive in its chronological scope, this unique two-volume text explores the time period encompassing Julius Caesar’s death in 44 BCE to the end of Justinian’s reign six centuries later. Internationally-recognized author and scholar of Roman history John Matthews balances broad historical narrative with discussions of important occurrences in their thematic contexts. This integrative approach helps readers learn the timeline of events, understand their significa...
Mobility and Migration in Byzantium: A Sourcebook
Mobility and migration were not uncommon in Byzantium, as is true for all societies. Yet, scholarship is only beginning to pay attention to these phenomena. This book presents in English translation a wide array of relevant source texts from ca. 650 to ca. 1450 originally written in medieval Greek: from administrative records, saints’ lives and letters by churchmen to ego-documents by ambassadors and historical narratives by court historians. Each source text is accompanied by a detailed introduction, commentary and further bibliography, thus making the book accessible to both scholars and students and laying the groundwork for future research on the internal dynamics of Byzantine society.
Hagia Sophia and the Byzantine Aesthetic Experience
Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identit...
"Architecture and Pilgrimage, 1000?500 "
Although there is an obvious association between pilgrimage and place, relatively little research has centred directly on the role of architecture. Architecture and Pilgrimage, 1000-1500: Southern Europe and Beyond synthesizes the work of a distinguished international group of scholars. It takes a broad view of architecture, to include cities, routes, ritual topographies and human interaction with the natural environment, as well as specific buildings and shrines, and considers how these were perceived, represented and remembered. The essays explore both the ways in which the physical embodiment of pilgrimage cultures is shared, and what we can learn from the differences. The chosen period r...
The Cambridge History of Early Christian Literature
Publisher Description
Obscenity: Social Control and Artistic Creation in the European Middle Ages
This volume makes most wide-ranging attempt ever to probe the natures, origins, and consequences of obscenity in medieval literature, art, theater, and law. One large section examines obscenity in medieval French literature, especially fabliaux; but the rest of the book explores obscenity in cultures and languages of other regions in Europe.
Women of Byzantium
Women played key roles in Byzantine society: some ruled or co-ruled the empire, and others commissioned art and buildings, went on pilgrimages, and wrote. This engrossing book draws on evidence ranging from pictorial mosaics and inscriptions on the walls of churches to women’s poetry and histories, examining for the first time the lives, occupations, beliefs, and social roles of Byzantine women. In each chapter Carolyn L. Connor introduces us to a single woman—from the elite to the ordinary—and uses her as a springboard to discuss Byzantine society. Frequently quoting from contemporary accounts, Connor reveals what these women thought of themselves and their lives and how they remembered the lives of women who had lived earlier. Informative, sympathetic, and engagingly written, this book is a window into Byzantine culture and women’s history that has never before been opened.
Motherly
How can contemporary art reimagine the body of the mother in relation to a feminist Christian conception of the divine? And, at the level of culture, what might be the implications of the maternal body imaged as ordinary, multiple, generative and divine? Following movements in her own visual art practice, and traversing the discourses of feminist theory, contemporary art and philosophy of religion, artist and scholar Rebekah Pryor considers philosopher Luce Irigaray’s key notions of sexuate difference, the sensible transcendental and “love at work in thinking” on the way to proposing alternate artistic and theological motifs of the maternal body and the divine for our time. Five new motifs emerge, challenging iconographic conventions and proposing an expanded vision of the mother and the divine in feminist theology and contemporary art.
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