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A Bombay in My Beat
Mrinalini Harchandrai's first collection of poetry, A Bombay In My Beat, offers a literary ear to the songs and frequencies from the music player during her growing years and the soundtracks of the city, which find their way into her personal expression. She says, "Music and poetry are siblings that complete each other's sentences, employing the syntax of rhythm and rasa." With a nod to the jazz poetry of Langston Hughes and the inflected locution of Beat Generation poets, here is a collection that searches out the sound of slanting truths. The result is a sonorous vaudeville on the page that is poignant, whimsical and intimate, exploring themes on anything from urbanness, politics, human connection and Louis Armstrong's baritone.
Rescuing a River Breeze
It is 1961 and Goa is under Portuguese rule. In the heart of Panjim, life is as usual on the banks of the river Mandovi. Thirteen-year-old Shirly Quarachim's idyllic days include outings to her father's mines, convent school shenanigans and prep for an upcoming musical. She is also falling in love for the first time. But the drums of war are being readied. Indian forces amass across the border, while the Portuguese dictator António Salazar is determined to burn everything down before giving up Goa. When Shirly's beloved father is arrested on charges of treason, she must put her teenage reveries aside and face off against intimidating dhowmen, resistance fighters and a sadistic police officer who loves a bit of torture. Through this exquisite tale of a girl on the cusp of womanhood, Rescuing a River Breeze draws a vivid portrait of a bygone era and a people wrestling with identity and nationhood.
Wordweavers 2019 Anthology
Wordweavers Anthology of Poetry, Short Story and Short Fiction published in 2019.
A Bombay in My Beat
A BOMBAY IN MY BEAT is a literary ear to the songs and frequencies from the music player as well as the soundtracks of the city, which find their way into a personal expression. With a nod to the jazz poetry of Langston Hughes and the inflected locution of Beat Generation poets, here is a collection that searches out the sound of slanting truths. The result is a sonorous vaudeville on the page that is poignant, whimsical and intimate, exploring themes on anything from urbanness, politics, human connection and Louis Armstrong's baritone.Praise for the Book"To me it seems that some volatile energy has created and crafted Mrinalini's poems in this volume. The reader is caught by the scruff of h...
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Business India
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Sisterhood of Swans
Anna-Marie Souza lives in Horton, a suburb on the hem of London, a far cry from the city of Bombay from which her parents had arrived one cold December day in 1989, two Goans in search of a new life. Born in this land of their dreams, raised in a broken home, Anna-Marie has grown up into a state of constant and indefinable yearning. She belongs to the sisterhood of swans seeking to pair for life, curving their necks to entwine with the perfect mate. Only, she has realized, her species is fated to disappointment. Her disastrous choice in men is fuelled not just by a chaotic childhood but by a loss of sexual agency as she embarks on a series of doomed relationships. Set against a cast of intriguing female characters Anna-Marie s Indian-hating Indian mother; her best mate, Sujata, haunted by thoughts of suicide; and Jassie, the sharp-tongued beautician at Bollywood Style Salon is an ensemble of men who are serial philanderers or, worse still, token brown Conservative party members. In this shaky world, Anna-Marie navigates through the pain of a troubled coming of age, while trying to find her place as a second-generation Indian immigrant.
Bedanabala
Spoken In The First Person, These Reminiscences Of A Woman Whose Mother Was Rescued From A House Of Ill-Repute Construct A History Not Often Documented. A History That Runs Parallel To The Official Narrative Of India`S Modernism And Nationalism: That Of Women Outcast Because They Are `Fallen`. Starting From The Late Nineteenth Century, The Voice Of Bedanabala Bears Witness To The Experiences Of Many Women Who Find Themselves Outside The Safety Of Domestic Walls And Thereafter Make Their Lives In The Only Ways Open To Them In A Society Where Women Did Not Work Except As Domestic Servants-Entertaining Men, Developing Liaisons, Interwining Their Dreams And Passions With The Destiny Of A Country Struggling For Independence And Questioning Oppressive Time-Worn Social Custom. Bedanabala, Written In 1996, Seeks To Empathize With A Segment Of Society Condemned Even By Other Women As Beyond The Bounds Of Decency And Social Acceptance.
When Mirrors Are Windows
In an ocean where myriads of rivers converge, can one sole river lend the ocean its distinct flavour? For someone who is at home with several languages, literary traditions and disciplines, is it possible for one form to criss-cross the landscape of another? In a poet’s world of mirrors, where stream and earth are sky, one may ‘sometimes count every orange on a tree’, but can one count ‘all the trees in a single orange’? In this volume, Guillermo Rodríguez explores these possibilities by analysing the works of one of India’s finest poets, translators, essayists and scholars of the twentieth century, A.K. Ramanujan (1929–1993).
