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This fictional account of the seventeenth-century Spanish painter’s life is “a very enjoyable read . . . A portrait of Velázquez and a meditation on love” (Washington Independent Review of Books). Narrated by the mysterious model who posed for Rokeby Venus, Diego Velázquez’s only surviving female nude, I Am Venus is the riveting account of a great artist’s rise to prominence, set against the backdrop of political turmoil and romantic scandal. A sweeping story of scandal and passion, and a vivid recreation of a corrupt kingdom on the brink of collapse, I Am Venus is a thrilling novel that brings to life the public and private worlds of Spain’s greatest painter. “A well-plotted...
Mexican painter Frida Kahlo life, work, and love are examined through the lens of her sister in this dramatic biographical novel. Frida Kahlo, painter and cultural icon, lived a life of extremes. The subject of an Academy Award(c)–nominated film starring Salma Hayek, Kahlo was crippled by polio and left barren by an accident when she was a teenager. And yet she went on to fall in love with and marry another star of the art world, muralist Diego Rivera. filled with passion, jealousy, and deceit, their story captured the world’s imagination. Told in the voice of Frida’s sister Cristina, who bears witness to Frida and Diego’s tumultuous marriage, this is a brilliantly vivid work of historical fiction. What unfolds is an intense tale of sibling rivalry, as both sisters vie for Rivera’s affection. Mujica imbues the lives and loves of these remarkable characters with sparkling drama and builds her tale to a shattering conclusion. Praise for Frida “A vivid creation. . . . This story burns with dramatic urgency.” —The New York Times “The best kind of fictionalized biography: rich, vibrant, and psychologically astute.” —Kirkus Reviews
Publisher Description (unedited publisher data) Counter This one-volume anthology surveys the major works of Spanish literature of the millennium! An introduction with historical and literary data as well as information on critical trends puts each section into its historical context. A brief introduction to the author's work precedes each selection.
Although scholars often depict early modern Spanish women as victims, history and fiction of the period are filled with examples of women who defended their God-given right to make their own decisions and to define their own identities. The essays in Women Warriors in Early Modern Spain examine many such examples, demonstrating how women battled the status quo, defended certain causes, challenged authority, and broke barriers. Such women did not necessarily engage in masculine pursuits, but often used cultural production and engaged in social subversion to exercise resistance in the home, in the convent, on stage, or at their writing desks. Distributed for the University of Delaware Press
An anthology of plays from the Spanish Golden Age contains the full text of 15 plays; an introduction to each play with information about the author, the work, performance issues and current criticism; and glossaries with definitions of difficult words and concepts.
Told by Frida Kahlo's sister Cristina, this is the story of the great artist and her marriage to another great artist, the muralist Diego Rivera.
The sixteenth century was a period of crisis in the Catholic Church. Monastic reorganization was a major issue, and women were at the forefront of charting new directions in convent policy. The story of the Carmelite Reform has been told before, but never from the perspective of the women on the front lines. Nearly all accounts of the movement focus on Teresa de Avila, (1515-1582), and end with her death in 1582. Women Religious and Epistolary Exchange in the Carmelite Reform: The Disciples of Teresa de Avila carries the story beyond Teresa's death, showing how the next generation of Carmelite nuns struggled into the seventeenth century to continue her mission. It is unique in that it draws primarily from female-authored sources, in particular, the letters of three of Teresa's most dynamic disciples: María de San José, Ana de Jesús and Ana de San Bartolomé.
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Blending fact with fiction, Mujica's tale conjures a picture of sisterhood, faith, the terror of religious persecution, the miracle of salvation, and one woman's challenge to the power of strict orthodoxy, a challenge that consisted of a crime of passion - her own personal relationship with God."--BOOK JACKET.
From Homer to Tim O'Brien, war literature remains largely the domain of male writers, and traditional narratives imply that the burdens of war are carried by men. But women and children disproportionately suffer the consequences of conflict: famine, disease, sexual abuse, and emotional trauma caused by loss of loved ones, property, and means of subsistence.Collateral Damage tells the stories of those who struggle on the margins of armed conflict or who attempt to rebuild their lives after a war. Bringing together the writings of female authors from across the world, this collection animates the wartime experiences of women as military mothers, combatants, supporters, war resisters, and victims. Their stories stretch from Rwanda to El Salvador, Romania to Sri Lanka, Chile to Iraq. Spanning fiction, poetry, drama, essay, memoir, and reportage, the selections are contextualized by brief author commentaries.The first collection to embrace so wide a range of contemporary authors from such diverse backgrounds, Collateral Damage seeks to validate and shine a light on the experiences of women by revealing the consequences of war endured by millions whose voices are rarely heard.