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Gandhinagar
The culmination of Ravi Kalia's trilogy on the formation of capital cities in postcolonial India, Gandhinagar joins the historian's other two volumes, on Chandigarh and Bhubaneswar, in tracing India's efforts to establish its twentieth-century architectural identity. In following the development of these cities, Kalia recounts India's progression through precolonial, British, modern, and postmodern theory and practice, particularly the architectural ideology propagated by Western a rchitects Le Corbusier and Louis Kahn. Kalia explains that Gandhinagar, the capital of Gujarat in western India, became a battleground for the competing ideals that had surfaced during the building of Chandigarh a...
The Krama Tantricism of Kashmir
The Karma Tantricism of Kashmir is intended as a ground work of the Karma system, an almost neglected area of Kashmir Saivism. The author has very ably reconstructed the history and metaphysics of the system after rummaging through relevant literature, both in print and manuscript form. The krama philosophy, Sakta esotricism and the Tantric synoptic view are seen. In this first of the two volumes, the author has given a general and historical survey in seven chapters-Karma as a distinct system, mutual exchange from allied system, different traditions and sub-schools, sources and literature and karma`s place in Kashmir Saivism. Contains chronological table of Karma author`s classified Bibliography and indexes.
A Global Encyclopedia of Historical Writing: A-J
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.
Into the Twilight of Sanskrit Court Poetry
At the turn of the twelfth-century into the thirteenth, at the court of King Laksmanasena of Bengal, Sanskrit poetry showed profound and sudden changes: a new social scope made its definitive entrance into high literature.Ê Courtly and pastoral, rural and urban, cosmopolitan and vernacular confronted each other in a commingling of high and low styles. A literary salon in what is now Bangladesh, at the eastern extreme of the nexus of regional courtly cultures that defined the age, seems to have implicitly reformulated its entire literary system in the context of the imminent breakdown of the old courtly world, as Turkish power expanded and redefined the landscape.Ê Through close readings of a little-known corpus of texts from eastern India, this ambitious book demonstrates how a local and rural sensibility came to infuse the cosmopolitan language of Sanskrit, creating a regional literary idiom that would define the emergence of the Bengali language and its literary traditions.
Modes of Philology in Medieval South India
Philology was everywhere and nowhere in classical South Asia. While its civilizations possessed remarkably sophisticated tools and methods of textual analysis, interpretation, and transmission, they lacked any sense of a common disciplinary or intellectual project uniting these; indeed they lacked a word for ‘philology’ altogether. Arguing that such pseudepigraphical genres as the Sanskrit purāṇas and tantras incorporated modes of philological reading and writing, Cox demonstrates the ways in which the production of these works in turn motivated the invention of new kinds of śāstric scholarship. Combining close textual analysis with wider theoretical concerns, Cox traces this philological transformation in the works of the dramaturgist Śāradātanaya, the celebrated Vaiṣṇava poet-theologian Veṅkaṭanātha, and the maverick Śaiva mystic Maheśvarānanda.
The Concept of Vakrokti in Sanskrit Poetics
In the whole range of Sanskrit poetics, the term vakrokti took altogether a new significance and the highest position as the all pervading poetic concept in Kuntaka's Vakroktijivita. He revived the concept from more verbal poetic figure to the lessons of poetry. He not only explains but also explores the multi-dimensional aspects of Vakrokti. But unfortunately, no comprehensive study of Vakrokti has been done in a systematic way. This book is an effort in this direction. Presenting the major schools of Sanskrit poetics, the book gives general definition of vakrokti and its multi-dimensional implications. Further taking a close look at the views of different theorists on vakrokti, it exposes in detail kuntaka's theory of vakrokti and makes its critical analysis in relation to various literary concepts- alankara, svabhavokti, rasavadalankara, marga and rasa. Finally, it deals with the striking similarities between dhvani and vakrokti, and brings out the fundamental aspects of practical criticism as shown by kuntaka.
Politics, Kingship and Poetry in Medieval South India
Whitney Cox presents a fundamental re-imagining of the politics of pre-modern India through a revisionist reading of the Chola dynasty, a medieval South Asian superpower. Utilizing a series of textual sources, this innovative study poses comparative and conceptual questions about politics, history, agency and representation in the pre-modern world.
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