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Utopías de bolsillo
En la muestra participan once artistas chilenos menores de 35 años, que presentan proyectos realizados para un lugar específico dentro del Museo, proponiendo un panorama acerca de las prácticas recientes de las artes visuales desarrolladas en Chile.
Chile 100 años
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F(a)llow me
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Copiar el edén
Analyzes the evolution of contemporary art in Chile from 1973 to 2007. This edition reproduces more than 500 color images of works by 74 contemporary artists (selected by editor Mosquera) including names such as: Juan Downey, Carlos Arias, (Santiago, Chile, 1964); Juan Castillo, (Antofagasta, 1952); Eugenio Dittborn, (Santiago, Chile, 1943); Paz Errzuriz, (Santiago, Chile, 1944); Volupsa Jarpa, (Rancagua, 1971); Carlos Leppe, (Santiago, Chile, 1952); and Carolina Ruff, (Santiago, Chile, 1973), as well as younger generation artists. The artists are presented in alphabetical order with brief introductory texts. Each reproduced work is rigorously documented with a caption that, in addition to providing the technical data offers the reader a description of the work for better comprehension. Six essays by noted critics and art historians: Guillermo Machuca, Mar̕a Berr̕os, Justo Pastor Mellado, Catalina Mena, Nelly Richard y Adriana V̀lads (description provided by vendor).
Ensayos sobre artes visuales
This second volume of the series is the outcome of the Segundo Concurso de Ensayos de Investigación (Second Contest of Research Essays), organized by the Centro de Documentación Artes Visuales of the Centro Cultural La Moneda. On this occasion, the three selected essays deal with the history and legacy of the "Taller de Artes Visuales" (TAV). The first essay revises the production, distribution and reflection of the graphic arts in Chile during the dictatorship military regime and the role of TAV between 1974 and 1987. A second text analyses the photographic catalogue of the work of Juan Pablo Langlois Vicuña from historical accounts of the Museo Nacional de Bellas Artes (National Museum of Fine Arts). A third work studies the editorial production of the second half of the 1970's, in particular the books "Cuerpo Correccional" and "Del espacio de acá en 1980". The three studies question the limits and absorption of the official discourses of art in Chile during the two decades of the regime.
Chile
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Humanities
"The one source that sets reference collections on Latin American studies apart from all other geographic areas of the world.... The Handbook has provided scholars interested in Latin America with a bibliographical source of a quality unavailable to scholars in most other branches of area studies." —Latin American Research Review Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year b...
Ensayos sobre Artes Visuales Volumen V
En este quinto volumen se propone un giro temático y cronológico en torno al estudio de las artes visuales recientes sobre las Visualidades de la transición. Debates y procesos artísticos de los años 80 y 90 en Chile, que se desprende del resultado del Quinto Concurso de Ensayos de Investigación, organizado por el Centro de Documentación de las Artes Visuales del Centro Cultural Palacio La Moneda. En esta ocasión, esta publicación interroga la existencia de un nuevo comienzo a partir de 1990, fraguado subterráneamente por los activismos políticos y artísticos disidentes al régimen autoritario desde la década de los ochenta y los procesos de recomposición social y la visibilización de demandas en los noventa.
