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One of the most arresting figurative artists working in Britain today, Claudette Johnson (b. 1959, Manchester, UK) creates larger than life studies of black women that are both intimate and powerful.Modern Art Oxford's major show of her work is the artist's first major institutional exhibition in almost three decades and included approximately 30 paintings and drawings in pastel, paint, ink and charcoal from the early 1980s to 2019.Throughout her career, Johnson has continued to redefine the space assigned to images of black women. Musing that "it is a very small twisted space that is offered", Johnson invites her sitters to "Take up space in a way that is reflective of who they are."The tex...
This companion text to the author's Learning to Look at Paintings addresses some of the questions most commonly asked about modern art, covering key movements of the modern and postmodern periods in a richly illustrated and engaging volume.
In a bold new look at the Modern Art era, Brettell explores the works of such artists as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, national and internationalism, and the rise of the museum. 140 illustrations, 75 in color.
This beautifully designed book is a celebration of one of the world's most creative, dynamic and fascinating cities: Tokyo. It spans 400 years, with highlights including Kano school paintings; the iconic woodblock prints of Hiroshige; Tokyo Pop Art posters; the photography of Moriyama Daido and Ninagawa Mika; manga; film; and contemporary art by Murakami Takashi and Aida Makoto. Visually bold and richly detailed, this publication looks at a city which has undergone constant destruction and renewal and it tells the stories of the people who have made Tokyo so famous with their insatiable appetite for the new and innovative - from the samurai to avantgarde artists today. Co-edited by Japanese art specialists and curators Lena Fritsch and Clare Pollard from Oxford University, this accessible volume features 28 texts by international experts of Japanese culture, as well as original statements by influential artists.
A groundbreaking catalogue of the largest collection of Kiefer works in North America. Anselm Kiefer ranks among the best-known post–World War II European artists. Published to coincide with a new exhibition at the NSU Art Museum Fort Lauderdale and a long-term installation at the Massachusetts Museum of Contemporary Art, this is the first survey of one of the world’s largest collections of works by Anselm Kiefer. The Hall and Hall Art Foundation collections include major Kiefer artist books, works on paper, paintings, sculptures, and large-scale installations from the late 1960s to the present day—many of which have never before been reproduced. Among the earlier treasures are Kiefer’s artist’s books, which are reproduced here in unprecedented depth and which contain in their rough directness so much of the lyricism with which he approaches scale and material complexity. With original texts by Norman Rosenthal, Bonnie Clearwater, and Joseph Thompson, this is a beautiful document of a significant collection and a definitive celebration of one of the most important artists working anywhere today.
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