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Das Museum Rietberg Zürich und Elsy Leuzinger
Unter Elsy Leuzingers Leitung wurde das Museum Rietberg Zürich zu einer komplexen und international verknüpften Institution, die Sammlung konnte dank bedeutender Donatoren und ausgewählter Ankäufe beträchtlich erweitert werden. Darüber hinaus aktivierte Leuzinger die Rietberg-Gesellschaft, begründete die ICOM Schweiz mit und etablierte zeitgleich die Kunstgeschichte Ostasiens an der Universität Zürich. Dieser Band gibt neue Einblicke in das Schaffen der Zürcher Pionierin, indem er Quellen verschiedener Archive erstmals auswertet. Heidi Tacier-Eugster zeichnet nach, wie Elsy Leuzinger zur Kunstethnologin wurde und die Sammlungsobjekte wissenschaftlich bearbeitete. Dabei beleuchtet die Autorin die europäische und schweizerische Wissens- und Kulturgeschichte ebenso wie die Stellung der Frau im 20. Jahrhundert.
Longing for Nature: Reading Landscapes in Chinese Art
The secret language of Chinese landscape painting A genre dating back more than 1,000 years, China's landscape painting tradition reflects all of its cultural and intellectual history, and its representational language famously follows its own rules. What at first glance seem to be idyllic ink-wash pictures actually depict far more than romantic landscapes. Through subtle allusions and references, Chinese landscape painters were able to convey a whole range of messages, from social positions to political opposition, all the way to philosophical observations and very personal feelings. This splendid illustrated volume unlocks these codes and juxtaposes important historical works with landscape paintings by internationally renowned modern and contemporary artists. The dialogue between past and present reveals surprising links, but also ruptures and conflicts.
The Surface of Things
The first major history of photography from coastal East Africa The ports of the Swahili coast—Zanzibar and Mombasa among them—have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. The Surface of Things examines the complex maritime dynamics that shaped the photography of coastal Africa, exploring the pleasure and power of beautiful things and the ways people and their pictures transcended the boundaries of the colonial world. Immersing readers in the globally interconnected networks of eastern Africa...
Ragamala
Ragamala are pictures that illustrate classical pieces of music and poetry. This book explains the origins and significance of these Indian miniature paintings which unite different genres in a unique way. It presents selected examples and makes music and poetry audible through QR codes. Music acquires a human form whose emotions are explained through tiny details: the call of birds, passing clouds, lightning, the scent of flowers, a hidden tear. This lavishly illustrated multimedia book provides a glimpse into the mysterious world of Indian music, poetry, and painting. The MUSEUM RIETBERG in Zurich is one of Europe's leading museums for World Art and well known for its splendid collection of Asian art. In large temporary exhibitions it presents historical and contemporary masterpieces in the light of new perspectives.
The Art of Champa
In the 5th century, the Champa kingdom held sway over a large area of today’s Vietnam. Several magnificent structures still testify to their former presence in the Nha Trang region. Cham sculpture was worked in a variety of materials, principally sandstone, but also gold, silver and bronze. It was primarily used to illustrate themes from Indian mythology. The kingdom was gradually eroded during the 15th century by the inexorable descent of the people towards the south (“Nam Tiên”) from their original base in the Red River region. The author explores, describes, and comments on the various styles of Cham sculpture, drawing on a rich and, as yet, largely unpublished iconographic vein.
The Thief Who Stole My Heart
The first book to put the sacred and sensuous bronze statues from India’s Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures—including Shiva, referred to in a saintly vision as “the thief who stole my heart”—were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, ...
Enchanted by Lohans
Finnish-Swedish art historian Osvald Sirén (1879–1966) was one of the pioneers of Chinese art scholarship in the West. This biography focuses on his four major voyages to East Asia: 1918, 1921–23, 1929–30 and 1935. This was a pivotal period in Chinese archaeology, art studies and formation of Western collections of Chinese art. Sirén gained international renown as a scholar of Italian art, particularly with his books on Leonardo da Vinci and Giotto. But when he was almost 40 years old, he was captivated by Chinese art (paintings of Lohans in the Museum of Fine Arts in Boston) to such an extent that he decided to start his career anew, in a way. He has left his mark in several fi elds in Chinese art studies: architecture, sculpture, painting and garden art. The study charts Sirén’s itineraries during his travels in Japan, Korea and China; it introduces the various people in those countries as well as in Europe and North America who defined the field in its early stages and were influential as collectors and dealers. It also explores the impact of theosophical ideas in his work.
