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"A sculptor who began working during the postwar period in a classical figurative style, Alina Szapocznikow radically reconceptualized sculpture as an imprint not only of memory but also of her own body. Though her career effectively spanned less than two decades (cut short by the artist's premature death in 1973 at age 47), Szapocznikow left behind a legacy of provocative objects that evoke Surrealism, Nouveau Râealisme, and Pop art. Her tinted polyester casts of body parts, often transformed into everyday objects like lamps or ashtrays; her poured polyurethane forms; and her elaborately constructed sculptures, which at times incorporated photographs, clothing, or car parts, all remain as ...
Includes entries for maps and atlases.
Poland is a tenacious survivor-state: it was wiped off the map in 1795, resurrected after the First World War, apparently annihilated again in the Second World War, and reduced to satellite status of the Soviet Union after 1945. Yet it emerged in the vanguard of resistance to the USSR in the 1980s, albeit as a much more homogeneous entity than it had been in its multi-ethnic past. This book outlines Poland's turbulent and complex history, from its medieval Christian origins to the reassertion of that Christian and European heritage after forty-five years of communism. It describes Poland's transformation since 1989, and explains how Poland navigated its way into a new Commonwealth of Nations in the European Union. Recent years have witnessed significant changes within Poland, Eastern Europe and the wider world. This new edition reflects on these changes, and examines the current issues facing a Poland which some would accuse of being out of touch with 'European values'.
Illustrated with over 200 examples drawn from artists practicing around the world, this comprehensive resource thoroughly documents the history of cloth in art. Among the extraordinary roster of international artists--in many disciplines, with diverse philosophies--are James Bassler, Christo, Eva Hesse, Faith Ringgold, and Andy Warhol. 240 illustrations, 120 in color.
A vibrant Jewish community flourished in Poland from late in the tenth century until it was virtually annihilated in World War II. In this remarkable anthology, the first of its kind, Harold B. Segel offers translations of poems and prose works—mainly fiction—by non-Jewish Polish writers. Taken together, the selections represent the complex perceptions about Jews in the Polish community in the period 1530-1990.
In the golden years of the baroque era, Poland expressed creative ties to East and West in extraordinary works of fine and decorative art. This illustrated book displays more than 150 pieces that celebrate the cross-cultural richness of Poland's creative output during this period. From the dramatic uniform of the winged hussar complete with feathered wings and leopard skin to traditional portraits of royalty to a Turkish-style beverage service, these splendid objects represent Poland's diversity and breadth at a time when it was the largest land empire in Europe, stretching from the Baltic to the Black Sea. This book is the catalogue for a major exhibition at The Walters Art Gallery in Baltimore. The Art Institute of Chicago, Huntsville Museum of Art. The San Diego Museum of Art. The Philbrook Museum of Art, and the Royal Castle in Warsaw.
I contributi contenuti in questo volume indagano il rapporto tra città e guerra dal punto di vista dell’archeologia, della storia e dell’architettura, saperi tra loro sempre fortemente connessi e collaboranti per studiare, analizzare, decodificare e ricostruire criticamente tracce, memorie e parole che riguardano i contesti urbani e i conflitti dall’antichità a oggi, all’interno di un paesaggio in eterno divenire. Proprio nella peculiarità degli approcci della ricerca, i diversi contributi disegnano un ricco mosaico di casi studio, di oggetti di indagine e di progetto che lascia appena intravedere l'estrema complessità di un tema di stringente attualità.