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Lexical Strata in English
In Lexical Strata in English, Heinz Giegerich investigates the way in which alternations in the sound patterns of words interact with the morphological processes of the language. Drawing examples from English and German, he uncovers and spells out in detail the principles of 'lexical morphology and phonology', a theory that has in recent years become increasingly influential in linguistics. Giegerich queries many of the assumptions made in that theory, overturning some and putting others on a principled footing. What emerges is a formally coherent and highly constrained theory of the lexicon - the theory of 'base-driven' stratification - which predicts the number of lexical strata from the number of base-category distinctions recognized in the morphology of the language. Finally, he offers accounts of some central phenomena in the phonology of English (including vowel 'reduction', [r]-sandhi and syllabification), which both support and are uniquely facilitated by this new theory.
Product Strategy for High Technology Companies
One of the key determinants of success for today’s high-technology companies is product strategy—and this guide continues to be the only book on product strategy written specifically for the 21st century high-tech industry. More than 250 examples from technological leaders including IBM, Compaq, and Apple—plus a new focus on growth strategies and on Internet businesses—define how high-tech companies can use product strategy and product platform strategy for competitiveness, profitability, and growth in the Internet age.
Theatre, Finance and Society in Early Modern England
This interesting study examines emotional responses to socio-economic pressures in early modern England, as they are revealed in plays, historical narratives and biographical accounts of the period. These texts yield fascinating insights into the various, often unpredictable, ways in which people coped with the exigencies of credit, debt, mortgaging and capital ventures. Plays discussed include Shakespeare's The Merchant of Venice and Timon of Athens, Jonson's The Alchemist and Massinger's A New Way to Pay Old Debts. They are paired with writings by and about the finances of the corrupt Earl of Suffolk, the privateer Walter Raleigh, the royal agent Thomas Gresham, theatre entrepreneur James Burbage, and the Lord Treasurer Lionel Cranfield. Leinwand's new readings of these texts reveal a blend of affect and cognition concerning finance that includes nostalgia, anger, contempt, embarrassment, tenacity, bravado and humility.
Christianity in Bakhtin
The work of the great Russian theorist Mikhail Bakhtin has been examined from a wide variety of literary and theoretical perspectives. None of the many studies of Bakhtin begins to do justice, however, to the Christian dimension of his work. Christianity in Bakhtin for the first time fills this important gap. Having established the strong presence of a Christian framework in his early philosophical essays, Ruth Coates explores the way in which Christian motifs, though suppressed, continue to find expression in the work of Bakhtin's period of exile, and re-emerge in texts written during the time of his rehabilitation. Particular attention is paid to the themes of Creation, Fall, Incarnation and Christian love operating within metaphors of silence and exile, concepts which inform Bakhtin's world view as profoundly as they influence his biography.
Contesting the Gothic
James Watt's historically grounded account of Gothic fiction, first published in 1999, takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between various writers or works. Central to his argument about these works' writing and reception is a nuanced understanding of their political import: Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, a reconsideration of the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics. Watt concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and examines the process by which the Gothic came to be defined as a monolithic tradition, in a way that continues to exert a powerful hold.
Modernism, Romance and the Fin de Siècle
In Modernism, Romance and the Fin de Siècle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture.
Theory and the Novel
Narrative features such as frames, digressions, or authorial intrusions have traditionally been viewed as distractions from or anomalies in the narrative proper. In Theory and the Novel Jeffrey Williams exposes these elements as more than simple disruptions, analysing them as registers of narrative reflexivity, that is, moments that represent and advertise the functioning of narrative itself. Williams argues that narrative encodes and advertises its own functioning and modal form. He takes a range of novels from the English canon - Tristram Shandy, Joseph Andrews, The Turn of the Screw, Wuthering Heights, Lord Jim and Heart of Darkness are amongst the novels examined - and shows how narrative technique is never beyond or outside plot. He poses a series of theoretical questions such as about reflexitivity, imitation and fictionality, to offer a striking and original contribution to readings of the English novel, as well as to discussions of theory in general.
Definiteness
This 1999 textbook investigates definiteness both from a comparative and a theoretical point of view, showing how languages express definiteness and what definiteness is. It surveys a large number of languages to discover the range of variation in relation to definiteness and related grammatical phenomena, such as demonstratives, possessives and personal pronouns. It outlines work done on the nature of definiteness in semantics, pragmatics and syntax, and develops an account on which definiteness is a grammatical category represented in syntax as a functional head (the widely discussed D). Consideration is also given to the origins and evolution of definite articles in the light of the comparative and theoretical findings. Among the claims advanced are that definiteness does not occur in all languages, though the pragmatic concept which it grammaticalizes probably does.
Jane Austen and the Fiction of her Time
This book presents Jane Austen as a radical innovator. It explores the nature of her confrontation with the popular novelists of her time, and demonstrates how her challenge to them transformed fiction. It is evident from letters and other sources, as well as the novels themselves, that the Austen family developed a strong scepticism about contemporary notions of the proper content and purpose of fiction. Austen's own writing can be seen as a conscious demonstration of these disagreements. In thus identifying her literary motivation, this book (moving away from the questions of ideology which have so dominated Austen studies in this century) offers a unifying critique of the novels and helps to explain their unequalled durability with the reading public.
Prisons of Poverty
In this title, the author examines how penal policies emanating from the United States have spread thoughout the world. The author argues that the policies have their roots in a network of Reagan-era conservative think tanks, which used them as weapons in their crusade to dismantle the welfare state and, in effect, criminalise poverty.
