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The Names of God in Judaism, Christianity, and Islam
Exploration of divine designations in the Hebrew Bible, New Testament and Qur'an, using comparative theology to ascertain if there is common language for interfaith dialogue.
Storyhole
It doesn’t matter if you walked through a portal in time and space, used a magic spell or arrived as the result of some technological marvel that transported your blasted atoms in a focused beam of energy. The important thing is you have arrived. Imagine you have come to a strange land and an even stranger roadhouse. Not your run of the mill bed and breakfast nor a typical medieval inn, but a place where the drinks are free as long as you share a story. At a muddy crossroads in a small hamlet in Antioch, the land of chaos, you are a visitor to Storyhole Inn. It goes on and on in this anthology of strange tales told around the great room of the Storyhole Inn. Whether it’s a tale about pla...
Theatre and Residual Culture
This book considers the cultural residue from pre-Christian Ireland in Synge’s plays and performances. By dramatising a residual culture in front of a predominantly modern and political Irish Catholic middle class audience, the book argues that Synge attempted to offer an alternative understanding of what it meant to be “modern” at the beginning of the twentieth century. The book draws extensively on Synge’s archive to demonstrate how pre-Christian residual culture informed not just how he wrote and staged pre-Christian beliefs, but also how he thought about an older, almost forgotten culture that Catholic Ireland desperately wanted to forget. Each of Synge’s plays is considered in an individual chapter, and they identify how Synge’s dramaturgy was informed by pre-Christian beliefs of animism, pantheism, folklore, superstition and magical ritual.
Opera in the British Isles, 1875-1918
While the musical culture of the British Isles in the 'long nineteenth century' has been reclaimed from obscurity by musicologists in the last thirty years, appraisal of operatic culture in the latter part of this period has remained largely elusive. Paul Rodmell argues that there were far more opportunities for composers, performers and audiences than one might expect, an assertion demonstrated by the fact that over one hundred serious operas by British composers were premiered between 1875 and 1918. Rodmell examines the nature of operatic culture in the British Isles during this period, looking at the way in which opera was produced and 'consumed' by companies and audiences, the repertory ...
In Response to the Religious Other
In the vast collection of his writings, the French philosopher Paul Ricoeur only sporadically raised the issue of interreligious dialogue. In this book, comparative theologian Marianne Moyaert argues that Ricoeur’s hermeneutical philosophy offers valuable signposts for a better understanding of the complexities related to interreligious dialogue. By revisiting the key insights of Ricoeur’s wider oeuvre from the perspective of interfaith dialogue, Moyaert elaborates a Ricoeurian interreligious hermeneutic. In Response to the Religious Other provides a coherent interreligious reading of Ricoeur’s philosophy of religion, his hermeneutical anthropology, his ethical hermeneutics. Moyaert shows that Ricoeur makes an exceptionally rewarding conversation partner for anyone wishing to explore the complex issues associated with interreligious dialogue. This book is essential for studies of hermeneutics, ethics, religious philosophy, global cooperation and hospitality, comparative theology, and religious identity.
