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Cultural Experiences of Fear, Horror and Terror
This volume was first published by Inter-Disciplinary Press in 2016. This volume comprises numerous academic papers concerning essential subjects in relation to fear, horror and terror, from cinematic representations and their subsequent responses, to first person accounts of terror by way of literature and journalism. Key scholars are employed to develop these important research areas as they provide new insights into cultural experiences and evaluations of fear, horror and terror, and their consequent analysis. Contributors also explore cross-cultural fear, the memorialisation of violence, and female experiences of fear represented through literature, theatre, and cinema. Valuable research is also demonstrated by way of the conceptualisation and management of fear, including the control of public fear in relation to mental illness, along with significant insights concerning depictions of sexual violence, the concept of the sublime in relation to the visualisation of the universe, and the relationship between scales of fright and the bulk of the on-screen monster.
The Power of Form
Although positivism dismissed myths as childish fancy, bound to be superseded by reason, there has been a continuous reappraisal of the power of myths since the 19th century. Once viewed as primitive and unreliable accounts and an inadequate and distorted form of knowledge, myths came to be perceived as exemplary narratives, consisting of rich and complex symbolic constructs that carry meaning and a connection to reality. Myths then came to be regarded as a privileged expression of the human soul and of its possibly submerged and unconscious abysses and dramas. Rather than inherently obscure and elusive to a rational grasp, mythical narratives would therefore be driven by logical reasoning, ...
Beyond Media Literacy
The interplay of physical reality and media environments is getting enhanced by new technological innovations. We are living in the age of digital aesthetics and there is a need for individual, cultural or social forms and variations of media literacy. This book seeks the limits of media literacies, and to go beyond them. »Beyond Media Literacy« contributes to the wide range of the media literacy discourse with approaches in modern media theory, philosophy, art and film theory, computer graphics as well as the complex range of modern aesthetics. This volume monitors and discusses the relation of media and literacy in the context of media as environments with effects on psyche and society.
Thinking Colours
The essays collected into this volume are organized into five interrelated sections exploring discourse on the interaction between sensation, perceptions of colour and the various forms of their cultural representation. The contributors analyse aspects related to colour 'labelling', its mediation and representation, consider traditional and new approaches to colour, and explore the cultural productivity of colour across different fields. Colour is presented within a conceptual framework that fosters alliances between the humanities and the social and natural sciences. Part I is dedicated to stu.
Misers
This volume uses the extreme case of misers to examine interlocking categories that undergirded the emergence of modern British society, including new perspectives on charity, morality, and marriage; new representations of passion and sympathy; and new modes of saving, spending, and investment. Misers surveys this class of people—as invented and interpreted in sermons, poems, novels, and plays; analyzed by economists and philosophers; and profiled in obituaries and biographies—to explore how British attitudes about saving money shifted between 1700 and 1860. As opposed to the century before, the nineteenth century witnessed a new appreciation for misers, as economists credited them with ...
Espectatorialidade e públicos
Esse livro nasce de duas circunstâncias que se somaram para sua aparição. A primeira, bem dramática, deve-se à pandemia do Corona vírus, uma vez que o trabalho de campo previsto no projeto de pesquisa ficou inviabilizado. Para seguir com a dimensão empírica que compunha as estratégias metodológicas decidi entrevistar especialistas que trabalhassem com o conceito de espectatorialidade, inspirada na dinâmica da técnica Delphi. Daí surge a segunda circunstância, quando o primeiro entrevistado perguntou se eu iria publicar, o que não me havia ocorrido até então. Espero que os leitores se sintam tão provocados quanto eu para seguir no debate das questões aqui apresentadas.
Unsettling Brazil
"In this work, Desirée Poets posits that contemporary Brazil is a settler colony. Based on ethnographic research and her experiences growing up in Brazil, the book tells the stories of communities in Rio de Janeiro, São Paulo, and Belo Horizonte-two quilombos, two Indigenous movements, and a favela-to unravel the continuities and discontinuities of Brazil's settler colonial structure. As Poets argues, settler colonialism is renewed through expectations of Indigenous and quilombola authenticity as well as through militarization, incarceration, genocide, and marginalization that continuously attempt to dispossess and eliminate Black and Indigenous peoples from the political landscape, includ...
Encontros com Nelson Pereira dos Santos
Coletânea de depoimentos de amigos e colaboradores de Nelson Pereira dos Santos contando sobre a importância e o trabalho do cineasta.
Tecnologias narrativas
Com duas partes temáticas, nomeadas como Perspectivas e Expectativas, o livro Tecnologias Narrativas apresenta estrutura e sequência de capítulos de alta relevância e contribuição acadêmica. De igual maneira, oferece grandes aportes aos estudos relacionados com as narrativas comunicacionais apoiadas nas tecnologias digitais.
