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Yang Chen, a peddler selling mutton kebabs in a vegetable market, is ordinary in appearance and lazy in character. But one day, Lin Ruoxi, the beautiful president of a multinational company, came to marry him. If there was a woman crying in front of Yang Chen more than half a year ago, Yang Chen would only think that she was deliberately disguise herself. But now, when this woman he once met cried, Yang Chen involuntarily felt a sense of guilt. Under Lin Ruoxi's threat of suicide, he finally agreed to her request. But Lin Ruoxi soon discovered that the man selling mutton kebabs was not only a master of marketing management from Harvard University, but also proficient in many foreign languages. His profile only showed that he was adopted at the age of 5 and returned to China at the age of 23. What mysterious past does Yang Chen have? ☆About the Author☆ Mei Gan Cai Shao Bing is a web novelist. He has written urban novel My Wife is a Beautiful CEO, The Female CEO's Divine Bodyguard and romantic fiction Red Makeup Dream. His new book My Cold And Beautiful Wife is in series.
Christianity is often praised as an agent of Chinese modernization or damned as a form of cultural and religious imperialism. In both cases, Christianity’s foreignness and the social isolation of converts have dominated this debate. Eugenio Menegon uncovers another story. In the sixteenth century, European missionaries brought a foreign and global religion to China. Converts then transformed this new religion into a local one over the course of the next three centuries. Focusing on the still-active Catholic communities of Fuan county in northeast Fujian, this project addresses three main questions. Why did people convert? How did converts and missionaries transform a global and foreign rel...
当代中国文化源自中华优秀传统文化,根植于当代中国实践。中国将文化建设纳入中国特色社会主义事业总体布局,推动文化的现代化,提高社会文明程度。本书在概述新中国文化建设演进的基础上,重点介绍21世纪以来中国的思想文化建设,人民文化权益的保障,新道德新风尚的铸造,文学艺术与哲学社会科学的发展,教育科技的进步,文化遗产的保护传承,宗教文化的发展状况,当代文化产业的格局以及对外文化交流的状况,等等,整体呈现当前中国文化的样貌。 Contemporary China’s culture is derived from traditional culture and roote...
The Yearbook of Chinese Theology is an international, ecumenical and fully peer-reviewed series on Chinese theology in English. Its main focus is on interdisciplinary, contextual, and cross-cultural studies in the areas of Biblical Studies, Church History, Systematic Theology, Practical Theology, and Comparative Religions. The Yearbook also features articles exploring wider issues in church and society. The Yearbook of Chinese Theology thus meets the growing demand for the study of the new academic discipline of Christianity in a Chinese context. In this first volume, harmony and Sinicization of Christianity in China are studied from a systematic theological viewpoint. Confucian Ruism and th...
This book constitutes the refereed post-conference proceedings of the 10th International Conference on Mobile Communication and Healthcare, MobiHealth 2021, held in November 2021. Due to Covid-19 pandemic the conference was held virtually.
A copper coin to open up the real estate tycoon's wonderful life;One of them was to activate the changes to the Wind and Water Movement.
A copper coin to open up the real estate tycoon's wonderful life; One of them was to activate the changes to the Wind and Water Movement.
Her mother had betrayed her for her own selfish desire, but she had met him by mistake.She married him for her children, he married her for his family;When he knew of the child's existence, how he would treat her.
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Over many centuries, women on the Chinese stage committed suicide in beautiful and pathetic ways just before crossing the border for an interracial marriage. Uncrossing the Borders asks why this theatrical trope has remained so powerful and attractive. The book analyzes how national, cultural, and ethnic borders are inevitably gendered and incite violence against women in the name of the nation. The book surveys two millennia of historical, literary, dramatic texts, and sociopolitical references to reveal that this type of drama was especially popular when China was under foreign rule, such as in the Yuan (Mongol) and Qing (Manchu) dynasties, and when Chinese male literati felt desperate about their economic and political future, due to the dysfunctional imperial examination system. Daphne P. Lei covers border-crossing Chinese drama in major theatrical genres such as zaju and chuanqi, regional drama such as jingju (Beijing opera) and yueju (Cantonese opera), and modernized operatic and musical forms of such stories today.