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Little is known in the West about the division of the Islamic world into Shiites and Sunnites and even less about the stratification of these two groups, with most of the attention going to the Sunnites. Moosa's comprehensive study of the origins and cultural aspects of the different extremist, or Ghulat, Shiite sects in the Middle East is a ground-breaking work. These sects whose 'extremism' is essentially religious are generally a peaceful people and, except for the Nusayris of Syria, are not political activists.
This definitive sourcebook presents more than fifty authoritative new translations of key Islamic texts. Edited and translated by three leading specialists and clearly contextualized for introductory-level students, it illustrates the growth of Islamic thought from its seventh-century origins, through to the end of the medieval period. Eight thematically-organized sections cover the Qur'an and its interpretation, the life of Muhammad, hadith, law, ritual, mysticism, and Islamic history. Among the selections are Ibn 'Abbas's account of the heavenly journey; al-Taftazani on the uncreatedness of the Qur'an as God's speech; al-Farabi on the faculties of the soul; and extracts from Rumi's Mathnawi. Classical Islam includes a glossary, extensive bibliography and explanatory prefaces for each text. With many extracts translated here for the first time into English, this is an essential resource for the study of early and medieval Islam and its legacy.
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This famous work from the Royal Asiatic Society is an indispensable tool for all serious students of Persian history and culture, and a welcome companion to Persian Literature in its most glorious period. This volume is the second part of C.A. Storey's History of Qur'anic Literature, including the Additions and Corrections, and Index.
In Monumental Sounds, Matthew G. Shoaf examines interactions between sight and hearing in spectacular church decoration in Italy between 1260 and 1320. In this "age of vision," authorities' concerns about whether and how worshipers listened to sacred speech spurred Giotto and other artists to reconfigure sacred stories to activate listening and ultimately bypass phenomenal experience for attitudes of inner receptivity. New naturalistic styles served that work, prompting viewers to give voice to depicted speech and guiding them toward spiritually fruitful auditory discipline. This study reimagines narrative pictures as site-specific extensions of a cultural system that made listening a meaningful practice. Close reading of religious texts, poetry, and art historiography augments Shoaf's novel approach to pictorial naturalism and art's multisensorial dimensions. This book has received the Weiss-Brown Publication Subvention Award from the Newberry Library. The award supports the publication of outstanding works of scholarship that cover European civilization before 1700 in the areas of music, theater, French or Italian literature, or cultural studies.
Since his arrival in Detroit on July 4, 1930, W.D. Fard, known also as Wallace Fard Muhammad and over fifty other aliases, has elicited an enormous amount of curiosity. Who was this man who claimed that he was both the Messiah and the Mahdi, and who was identified as God in Person by his disciple, Elijah Muhammad, whom he reportedly appointed as his Final Messenger? The people who actually met him, and the scholars who have studied him, have suggested that he was variously an African American, an Arab from Syria, Lebanon, Algeria, Morocco or Saudi Arabia, a Jamaican, a Turk, an Afghan, an Indo-Pakistani, an Iranian, an Azeri, a white American, a Bosnian, a Mexican, a Greek or even a Jew. In ...