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Lonely Places, Dangerous Ground
A range of approaches to the directors life and work. The director of such classic Hollywood films as In a Lonely Place, Johnny Guitar, and Rebel Without a Cause, Nicholas Ray nevertheless remained on the margins of the American studio system throughout his career, and despite his cult status among auteurist critics and cinephiles, he has also remained at the margins of film scholarship. Lonely Places, Dangerous Ground offers twenty new essays by international film historians and critics that explore the directors place in the history of the Hollywood industry and in the larger institution of cinema, as well as a 1977 interview with Ray that has never before been published in its entiret...
Should I Not Return
Should I Not Return is the story of a young east coast climber, who joins his brother in Alaska to climb Mount McKinley. What set their climb apart from those before it, and even those afterward, was a disaster of such magnitude that it became know as North America's worst mountaineering tragedy. Prior to July of 1967 only four men had ever perished on Denali, and then, in one fell swoop, Denali--like Melville s, Great White Whale, Moby Dick--indiscriminately took the lives of seven men. The brothers survive one danger after another: a terrible train accident, a near drowning in the McKinley River, an encounter with a large grizzly, a 60 foot plunge into a gaping crevasse, swept away by a massive avalanche, and finally a climactic escape from the terror of 100 mph winds while descending from the summit. Should I Not Return is a one of a kind cliffhanger packed with danger, survival under the worst conditions, and heroism on the Last Frontier s most treasured trophy--the icy slopes of Denali, North America s tallest mountain--Mount McKinley.
Film Noir
The laconic private eye...the corrupt cop...the heist that goes wrong...the Femme Fatale with the rich husband and dim lover - all are trademark characters of the movement known as film noir, that elusive mixture of stark lighting and even starker emotions. Noir explores the dark side of post-war society - gangsters, hoodlums, prostitutes and killers - and showed how it corrupted the good and the beautiful. Many of these films are now touchstones of what we regard as 'classic' Hollywood - The Maltese Falcon (1941), The Big Sleep (1946), Double Indemnity (1944) and The Postman Always Rings Twice (1946). The Pocket Essential Film Noir charts the progression of the noir style as a vehicle for film-makers who wanted to record the darkness at the heart of American society as it emerged from World War to the Cold War.
Materialising the Roman Empire
Materialising the Roman Empire defines an innovative research agenda for Roman archaeology, highlighting the diverse ways in which the Empire was made materially tangible in the lives of its inhabitants. The volume explores how material culture was integral to the processes of imperialism, both as the Empire grew, and as it fragmented, and in doing so provide up-to-date overviews of major topics in Roman archaeology. Each chapter offers a critical overview of a major field within the archaeology of the Roman Empire. The book’s authors explore the distinctive contribution that archaeology and the study of material culture can make to our understanding of the key institutions and fields of a...
Ancient Egyptian and Afroasiatic
By challenging assumptions regarding the proximity between Egyptian and Semitic Languages, Ancient Egyptian and Afroasiatic provides a fresh approach to the relationships and similarities between Ancient Egyptian, Semitic, and Afroasiatic languages. This in-depth analysis includes a re-examination of the methodologies deployed in historical linguistics and comparative grammar, a morphological study of Ancient Egyptian, and critical comparisons between Ancient Egyptian and Semitic, as well as careful considerations of environmental factors and archaeological evidence. These contributions offer a reassessment of the Afroasiatic phylum, which is based on the relations between Ancient Egyptian and the other Afroasiatic branches. This volume illustrates the advantages of viewing Ancient Egyptian in its African context. In addition to the editors, the contributors to this collection include Shiferaw Assefa, Michael Avina, Vit Bubenik, Leo Depuydt, Christopher Ehret, Zygmunt Frajzyngier, J. Lafayette Gaston, Tiffany Gleason, John Huehnergard, Andrew Kitchen, Elsa Oréal, Chelsea Sanker, Lameen Souag, Andréas Stauder, Deven N. Vyas, Aren Wilson-Wright, and Jean Winand.
