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Branding Authoritarian Nations
Branding Authoritarian Nations offers a novel approach to the study of nation branding as a strategy for political legitimation in authoritarian regimes using the example of military-ruled Thailand. The book argues that nation branding is a political act that is integral to state legitimation processes, particularly in the context of authoritarian regimes. It applies its alternative reading of nation branding to eight different sectors: tourism, economy, foreign direct investment, foreign policy, education, culture, public relations, and the private sector. The author explains that nation branding produces specific kinds of applied national myths, referred to as ‘strategic national myths.�...
Fundamentalisms and the Media
The turn of the twenty-first century has seen an ever-increasing profile for religion, contrary to long-standing predictions of its decline. Instead, the West has experienced what some call a 'realignment' of religion where it persists in conjunction with other institutions and structures. Outside the West, religion is an ever more prominent force in social and political movements of both reform and retrenchment. Across these contexts, no issue in religion is of as much concern as fundamentalism - or rather the fundamentalisms within various traditions - which are seen to be fomenting religious, social, ethnic, and political tension and conflict. The contributions to this volume represent the first effort to look at 'fundamentalisms' and 'the media' together and address the resulting relations and interactions from critical perspectives of history, technology, geography, and practice. The result lays important groundwork for scholarship on these new and increasingly important phenomena.
Post-Secular Society
Post-Secular Society argues for several characteristics of the secular: the experience of living in a secular age and the experience of living without religion as a normal condition. Religion in the West is often seen as marked by both innovation and disarray. In spite of differing approaches and perspectives of secularization, rational choice and de-secularization, many scholars agree that the West is experiencing a general "resurgence" of religion across most Western societies. Post-Secular Society discusses the changes in religion related to globalization and New Age forms of popular religion. The contributors review religion that is rooted in the globalized political economy and the relationship of post-secularism to popular consumer culture. Also reviewed is innovative discourse as a religious belief system, theories of the post-secular, religious, and spiritual well-being, and healing practices in Finland and environmentalism. This paperback edition includes a new preface by Peter Nynas.
Narratives at the Beginning of the 3rd Millennium
This volume offers a cross-disciplinary approach to narratives in the 21st century, in response to the growing scholarly concern with the decreasing explanatory capacity of theoretical concepts and narrative configurations originating in postmodernism. The essays collected here meet this conceptual gap by offering cutting-edge research from a variety of disciplines, such as literary studies and design and media studies, as well as social sciences, all of which employ narrative models to explore the distinctive patterns which shape contemporary conceptions of the 3rd millennium.
Performance, Subjectivity, and Experimentation
Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity “in” music – how music expresses or represents “an” individual or “a” group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.
Violence and the Pornographic Imaginary
No cultural product reveals our collective fascination with sexual violence more candidly than pornography. Popular heterosexual pornographies showcase scenes of intense sexual aggression and cruelty that are gendered in repetitive, patterned configurations—configurations that are designedto arouse. Purcell uses comparative critical readings of popular U.S. pornographies to illuminate the changing psychosocial foundations of sexually aggressive fantasies. By examining how depictions of violence in pornography have changed over the past forty years, she investigates the evolving desires and anxieties of the genre’s growing U.S. audience. Adopting a thick descriptive approach, she moves beyond the mere observation and recording of instances of sexism and violence, elucidating the changing aesthetics, themes, and conventions of depicted sexual aggression and showing how they have emerged in specific socio-historical contexts. Finally, she draws from a range of industry publications and fan forums to examine the fabric and function of misogyny and violence in people’s fantasies and everyday lives.
Media Transformations in the Post-Communist World
Media Transformations in the Post-Communist World: Eastern Europe’s Tortured Path to Change, edited by Peter Gross and Karol Jakubowicz, is a collection of analyses of Eastern European media by some of the most distinguished scholars in the field. This in-depth exploration shows how despite positive changes after the fall of Communism, the transformations of societal institutions, including the mass media, have turned out to be slow, uncertain, and unsatisfying to many when measured against the admittedly ambiguous and overly Panglossian expectations. This collection offers readers a different view of post-Communist media by examining the mass media’s evolution in the region from a more ...
Science Fiction Film, Television, and Adaptation
The book examines the difficulty of adapting from one screen medium to another by looking at both successful and unsuccessful efforts in the area of science fiction. Those difficult efforts at moving from film to TV and from TV to film reveal much about the technologies involved and this highly technological genre as well.
Horrible White People
Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and suffering At the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people—such as Broad City, Casual, You’re the Worst, Catastrophe, Fleabag, and Transparent—proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its ...
Puppets, Gods, and Brands
The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. There are new technological objects that seem to have lives of their own—from Facebook algorithms that suggest products for us to buy to robots that respond to human facial expressions. The ubiquity of animation is not a trivial side-effect of the development of digital technologies and the globalization of media markets. Rather, it points to a paradigm shift. In the last century, performance became a key term in academic and popular discourse: The idea that we construct identities through our gestures and speech proved extremely ...
