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This bilingual anthology, edited by Christophe Ippolito, contains Samuel Hazo's complete translation of Lebanon: Twenty Poems for One Love and Paul B. Kelley's selections from the never-before-translated Sentimental Archives of a War in Lebanon. The Francophone poet Nadia Tueni has devoted readers in Lebanon and elsewhere in the Middle East and has quickly achieved poetic distinction in France. The fluency of her poetic language and motifs—reflecting Tueni's love of her people and country—is illuminated in Ippolito's introduction: "She chose to create a new poetic language that captured the fragile essence of her troubled country and exposed the many crises of identities present in the w...
Praise for the first edition: "An impressive collection of more than 50 pieces--essays, poems, folktales, short stories, memoirs, film scripts, lectures/speeches--by Arab women challenging the widely accepted view of Middle Eastern women as submissive non-thinkers to whom feminism is a foreign concept." --Booklist "Anyone interested in good writing should read Opening the Gates]. Here are first-class stories with the energy and freshness we expect from a beginning." --Doris Lessing, The Independent "This collection of stories, speeches, essays, poems and memoirs bears fierce testimony to a tradition of brave Arab feminist writing in the face of subjugation by a Muslim patriarchy."--Publishers Weekly "This impressive collection of writings by Arab women... represent s] a powerful series of vignettes by women who were both insightful and gifted, into the lives of women who have lived 'behind the veil' over the last 100 years."--Arab Book World "An expression of indigenous, intrepid feminism in the Arab world."--Ms. "Opening the Gates succeeds not because of its methodology, but because of the stories the women tell."--Voice Literary Supplement
With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. This long-awaited collection of literary and cultural essays offers evidence of how much the fully engaged critical mind can contribute to the reservoir of value, thought, and action essential to our lives and culture.
Combining insider and outsider perspectives, Women in Lebanon looks at Christian and Muslim women living together in a multicultural society and facing modernity. While the Arab Spring has begun to draw attention to issues of change, modernity, and women's subjectivity, this manuscript takes a unique approach to examining and describing the Lebanese "alternative modernities" thesis and how it has shaped thinking about the meaning of terms like evolution, progress, development, history, and politics in contemporary Arab thought. The author draws on extensive ethnographic research, as well as her own personal experience.
From his first book, through the National Book Award finalist Once for the Last Bandit, to his newest poems, Samuel Hazo has written poetry that celebrates and solemnly honors art and mortality in the midst of vibrant living and the value of love in all our relations.
In no part of the world today is the concept of intercultural exchange a novelty, and in many parts of the world it has even been a long tradition. Nevertheless, recent globalization forces have combined to accelerate many aspects of migration and intercultural confrontation. As a result, we see an emerging world society in which intercultural mixing and conflict are salient characteristics, rather than being exceptional situations or embryonic phases of societal development. The need for intercultural education and for intercultural dialogue in various forms has become universal. All people have an obligation to participate in- and take responsibility for- world peace, balanced sustainable ...
While breast cancer continues to affect the lives of millions, contemporary writers and artists have responded to the ravages of the disease in creative expression. Mary K. DeShazer’s book looks specifically at breast cancer memoirs and photographic narratives, a category she refers to as mammographies, signifying both the imaging technology by which most Western women discover they have this disease and the documentary imperatives that drive their written and visual accounts of it. Mammographies argues that breast cancer narratives of the past ten years differ from their predecessors in their bold address of previously neglected topics such as the link between cancer and environmental car...
This book challenges the assumption that men write of war, women of the hearth. The Lebanese war has seen the publication of many more works of fiction by women than by men. Miriam Cooke has termed these women the Beirut Decentrists, as they are decentered or excluded from both literary canon and social discourse. Although they may not share religious or political affiliation, they do share a perspective which holds them together. Cooke traces the transformation in consciousness that has taken place among women who observed and recorded the progress towards chaos in Lebanon. During the so-called "two year" war of 1975-76 little comment was made about those (usually men in search of economic ...
I have never met anyone who so adeptly mixes academics, philosophy, technical know-how, advocacy, and common sense like May Rihani. I have watched with awe as she has applied her unique set of skills and made a difference in the lives of women and girls around the world. Stephanie Funk, USAID Mission Director, Zimbabwe May Rihanis book is proof of the emptiness of three stereotypes: she challenges the idea that Arab women are submissive, that there are no democracies in the Middle East, and the notion of a clash of civilizations. Her life demonstrates global leadership by a Lebanese Arab woman, and her memoir describes a golden age in Lebanon when democracy and freedom of expression were tak...
In this work, Hazo casts his eye back upon a career devoted to poetry. With works that are arranged loosely under the themes of love, family, and aging, this volume affirms Hazo’s status as one of the most compelling and enduring poets of his generation. Poems appearing in this collection include works which have appeared in the Hudson Review, Prairie Schooner, the New York Times, and the Saturday Review.