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This book is written for all lovers of the performing arts, especially those who love Kathakali, the dance drama of Kerala, the southern state in India. While other texts have been written about the history of the dance drama in English, this book uniquely brings in Shakespearean plays and characters, comparing them to the stories and characters in Kathakali to give it a completely new perspective.
BollySwar is a decade-wise compendium of information about the music of Hindi films. Volume 8 chronicles the Hindi film music of the decade between 2001 and 2010. This volume catalogues more than 1000 films and 8000 songs, involving more than 2000 music directors, lyricists and singers. An overview of the decade highlights the key artists of the decade - music directors, lyricists and singers - and discusses the emerging trends in Hindi film music. A yearly review provides listings of the year's top artists and songs and describes the key milestones of the year in Hindi film music. The bulk of the book provides the song listing of every Hindi film album released in the decade. Basic informat...
This book is a unique study of how the role of ‘the messenger’ has changed throughout history, starting from ancient times and ending with the person’s role today. The chapters include an analysis of the personal characteristics required by a messenger, the dangers they often have to face, especially in troubled times, and how they have the power to change the course of history because of their functions. The book analyses various types of messengers who were, and are still, significant, and ends by looking at how the role will continue to develop and change, taking technological advances into account. The book, in short, is unusual, captivating and will be of interest to an informed general readership and academics of various disciplines. Of particular interest will be the analysis the book provides of the messengers we send into space in search of life, and the potential messengers who will visit our planet in the future.
Unnayi Warrier’s ‘Nala Charitham’ is easily the most popular Kathakali dance drama. With themes including romance, troubled royalty, treachery, banishment, desertion and punishment, the book compares these – and the complex characters – with some of Shakespeare’s most intriguing plays. These deeply thoughtful comparisons – a first of their kind – are insightfully written. Drawing from the rich tapestry of Hindu mythology, the book not only narrates Nalan and his wife Damayanthi’s progress through life, but also serves as a window into the cultural and spiritual ethos of ancient India. The story of ‘Nala Charitham’ is a captivating one, with Shakespearean comparisons giving the story a new punch and perspective.
This book demonstrates that people writing and creating characters almost 6,000 miles apart, and in different centuries, have a lot more in common than one might expect. It examines the day-to-day themes appearing in two epics, The Ramayanam and The Maha Bharatham, and some of Shakespeare’s plays (without entering into the realm of philosophy). The book reveals that whatever backgrounds people may have, they ultimately tend to tackle life in very similar ways, and this claim is substantiated with many pertinent examples. The perspectives presented in this book will be of interest to all who study literature.
This book presents novel insights into the work and practice of the actor Krishnan Nair, who was unique in the field of Kathakali, the dance drama of South India. It shows how, because of his superb ability to connect with his audiences and the sheer charisma of his personality, Nair was able to achieve his burning ambitions. It highlights how Nair was able to ensure that Kathakali performers were invested with status and were paid a decent wage, allowing them to live in reasonable comfort.
Vol. no. 1 covers the Indian film industry from 1896-2001.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in...