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Nam June Paik
Considered to be the founder of video art, Nam June Paik (1932- 2006) was a visionary artist who foresaw the importance of mass media and new technology, and its impact on visual culture. His cutting-edge, innovative, yet playfully entertaining work continues to be a major influence on art and culture to this day. This ground-breaking publication focuses on Paik's pivotal role in the cross-germination of radical aesthetics and experimental practices, emphasising his visionary insight and his pioneering role in the emergence and proliferation of performative and collaborative art practice. Bringing together works that span a fivedecade career, and including archival materials and excerpts of ...
The Worlds of Nam June Paik
Published to accompany Paik's recent laser-projection installations displayed in the Frank Lloyd Wright's Solomon R Guggenheim Museum.
Nam June Paik
Offers an unprecedented look at the accomplishments, vision and creative method of an extraordinary international artist.
Nam June Paik
This exhibition is the most comprehensive survey to date of the Korean-American artist's vital, visionary and varied career.
Nam June Paik
This new, fully illustrated catalogue on the celebrated progenitor of video art, Nam June Paik (1932-2006), brings together a host of scholars, artists, and Paik's own collaborators to illuminate the work of this innovative artist. An essay by curator Michelle Yun takes readers through Paik's highly original career, providing insight into his radical and witty experiments with technology, especially in relation to the body, which he viewed as vital platforms for the future of art, science, and popular culture. Scholars David Joselit and John Maeda contribute texts examining the artist's interest in new media and popular culture. A roundtable discussion with three of Paik's own artistic colla...
Nam June Paik: Art in Process
Surveying the work of video art pioneer Nam June Paik, this volume highlights the artist's radical engagement with process. Nam June Paik (1932–2006) broke new ground in late twentieth-century art, working on a global stage to transform video into an art medium. This book reflects on Paik’s working method as well as the ideas and materials that inspired his art practice. It was published on the occasion of a two-part exhibition at Gagosian, New York, curated by John G. Hanhardt, one of the foremost scholars of Paik’s work. Nam June Paik: Art in Process highlights the centrality of process and exploration across Paik’s career—through his pioneering manipulated televisions from the e...
Nam June Paik
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Mostly Video
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白南準
Issued in connection with an exhibition held Sept. 17-Nov. 7, 2015, Gagosian Gallery, Hong Kong.
Paik Video
Paik Video by Edith Decker-Phillips, a renowned critic of contemporary media art, is a complete and meticulously documented account of Nam June Paik's career from its beginnings in Western-style musical composition through his discovery of the revolutionary work of John Cage, to his present status as a major figure in 20th century art. Known in the '50s for his "action music," he was led by electronic music to the visual electronics of television. Besides providing extensive aesthetic and technical analyses of the whole spectrum of Paik's ouvre from the late '50s to 1984, Paik Video emphasizes the artist's work in video installations as embodying the artist's major vision and influence in contemporary art. It also includes a complete, thematically organized catalogue of Paik's installations from 1963 to 1984, over one hundred illustrations of Paik's work including eight pages in full-color, ample and informative annotations, a full bibliography, and name and subject indexes.
