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Roman Art
"This book covers the 1300 years from the Villanovan and Etruscan forerunners of the Romans to the introduction of Christianity under the Emperor Constantine the Great. The text examines the Roman artistic output chronologically, showing how greatly it was influenced by the taste and patronage of the various emperors. Each chapter focuses on one historical period or dynasty, and explores the history, myth and literature behind the art."--BOOK COVER.
Roman Art
This exceptionally well-illustrated text explores Roman art in the traditional historical manner -- with a focus on painting, sculpture, architecture, and minor arts. It assumes no prior acquaintance with the classical world, and explains the necessary linguistic, historical, religious, and political background needed to fully understand Roman art. In-depth information, historical photographs, drawings, engravings, and illustrations of architectural monuments, sculptures, paintings and decorative arts in all areas. Chronological presentation of material features: the Villanovan and Etruscan Forerunners 1000-200 BC.; the Roman Republic 200-27 BC; Augustus and the Imperial Idea 27 BC-AD 14; The Julio-Claudians AD 14-68; The Flavians: Savior to Despot AD 69-98; Trajan, Optimus Princeps AD 98-117; Hadrian and the Classical Revival AD 117-138; The Antonines AD 138-198; The Severans AD 193-235; The Soldier Emperors AD 235-284 AD; The Tetrarchs AD 284-312; Constantine AD 307-337 and the Aftermath.
History of Restoration of Ancient Stone Sculptures
The nineteen papers in this volume stem from a symposium that brought together academics, archaeologists, museum curators, conservators, and a practicing marble sculptor to discuss varying approaches to restoration of ancient stone sculpture. Contributors and their subjects include Marion True and Jerry Podany on changing approaches to conservation; Seymour Howard on restoration and the antique model; Nancy H. Ramage’s case study on the relationship between a restorer, Vincenzo Pacetti, and his patron, Luciano Bonaparte; Mette Moltesen on de-restoring and re-restoring in the Ny Carlsberg Glyptotek; Miranda Marvin on the Ludovisi collection; and Andreas Scholl on the history of restoration of ancient sculptures in the Altes Museum in Berlin. The book also features contributions by Elizabeth Bartman, Brigitte Bourgeois, Jane Fejfer, Angela Gallottini, Sascha Kansteiner, Giovanna Martellotti, Orietta Rossi Pinelli, Peter Rockwell, Edmund Southworth, Samantha Sportun, and Markus Trunk. Charles Rhyne summarizes the themes, approaches, issues, and questions raised by the symposium.
The Cone Sisters of Baltimore
They were friends with Picasso and Matisse. They ran in the same circles as Gertrude and Leo Stein. They avidly purchased works by Manet, Gauguin, Cezanne, Seurat, and Degas at a time when other Americans didn't. They were two Victorian women from Baltimore buying avant-garde art in Paris, attending salons with friends, and building a collection that would initially puzzle and eventually awe the art world. Over a period of fifty years, sisters Caribel and Etta Cone amassed one of the most acclaimed collections of late-nineteenth and twentieth-century art in America. Dr. Claribel and Miss Etta were two halves of an idiosyncratic team who used the fortures of their German Jewish immigrant fami...
The British Museum Concise Introduction to Ancient Rome
An accessible and beautifully illustrated survey of the world of Ancient Rome
Roman Art
A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.
Ordinary Lydians at Home
This publication of two major Lydian excavation sectors at Sardis is the first in-depth presentation of the architecture, pottery, and other artifacts belonging to the inhabitants of this native Anatolian kingdom. The two-volume book catalogues nearly 800 objects, illustrated by more than 300 color plates of photos and detailed drawings.
The Corinthian, Attic, and Lakonian Pottery from Sardis
This work consists of three illustrated sections presenting the ceramic finds excavated at Sardis, but produced in the mainland Greek centers of Corinth, Athens, and Sparta. The authors' study of this material from the Harvard-Cornell excavations offers new evidence of the taste for Greek wares and shapes in Anatolia before the time of Alexander.
Buried by Vesuvius
The first truly comprehensive look at all aspects of the Villa dei Papiri at Herculaneum, from its original Roman context to the most recent archaeological investigations. The Villa dei Papiri at Herculaneum, the model for the Getty Villa in Malibu, is one of the world’s earliest systematically investigated archaeological sites. Buried by the eruption of Mount Vesuvius in 79 CE, the Villa dei Papiri was discovered in 1750 and excavated under the auspices of the Neapolitan court. Never fully unearthed, the site yielded spectacular colored marble floors and mosaics, frescoed walls, the largest known ancient collection of bronze and marble statuary, intricately carved ivories, and antiquityâ€...
Roman Art
An absorbing introduction to Roman art and architecture Roman Art, 6/e helps students gain an understanding of the development of Roman art and architecture across the entire Roman empire. This title deals comprehensively with the architecture, sculpture, painting, mosaics, and the decorative arts of the Romans placing them in their proper historical context. Readers will examine these artworks in the context of the history, religion, and politics of each era, building a fuller picture of how the arts relate to what else is going on in the Roman Republic and Empire. This title is ideal for readers who are studying Roman art for the first time. It assumes no prior acquaintance with the classi...
