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Homeopathy, as a medical system, presented a significant institutional and economic challenge to conventional medicine in the nineteenth century. Although contemporary critics portrayed homeopathic physicians as part of a sect whose treatment of disease was beyond the pale of acceptable medical practice, homeopathy was in many ways similar to established medicine. In this book, the author offers a new interpretation of women{19}s roles in both mainstream and alternative modern medicine. She strengthens and clarifies the history of homeopathic women physicians, and creates a framework of comparison to "regular," or orthodox, physicians. Linked to social reform movements in the nineteenth century, antimodernism in the late nineteenth and early twentieth centuries, and countercultural ideals of the 1960s and 1970s, women's advocacy of homeopathy has been intertwined with broad social and cultural issues in American society.
California during the gold rush was a place of disputed claims, shoot-outs, gambling halls, and prostitution; a place populated by that rough and rebellious figure, the forty-niner; in short, a place that seems utterly unconnected to middle-class culture. In American Alchemy, however, Brian Roberts offers a surprising challenge to this assumption. Roberts points to a long-neglected truth of the gold rush: many of the northeastern forty-niners who ventured westward were in fact middle-class in origin, status, and values. Tracing the experiences and adventures both of these men and of the "unseen" forty-niners--women who stayed back East while their husbands went out West--he shows that, whatever else the gold seekers abandoned on the road to California, they did not simply turn their backs on middle-class culture. Ultimately, Roberts argues, the story told here reveals an overlooked chapter in the history of the formation of the middle class. While the acquisition of respectability reflects one stage in this history, he says, the gold rush constitutes a second stage--a rebellion against standards of respectability.
Originally published: New York: Free Press, 2012.
A pioneering, field-defining collection of essential texts exploring girlhood in the nineteenth century
In the antebellum South, the «plain folk» maintained social norms, ideals of honor, justice, gender, and liberty that were significantly distinct from town and planter gentility, and the humorists of the Old South captured this important distinction. Southwest humor flourished from the 1830s through the Civil War and this book provides a thorough investigation of the unique and innovative contributions of these humorists to the field of American literary realism, such as use of vernacular authenticity, complex character portraits, and the narrative technique of disclosure. Thus, when the Southwest humorists «tell about the South, » they provide an endlessly entertaining and realistic representation of the vast complexities of the antebellum South and illustrate that the roots of literary realism were sown and nurtured on the southwestern frontier.
In this groundbreaking study, Crista DeLuzio asks how scientific experts conceptualized female adolescence in the nineteenth and early twentieth centuries. Revisiting figures like G. Stanley Hall and Margaret Mead and casting her net across the disciplines of biology, psychology, and anthropology, DeLuzio examines the process by which youthful femininity in America became a contested cultural category. Challenging accepted views that professionals "invented" adolescence during this period to understand the typical experiences of white middle-class boys, DeLuzio shows how early attempts to reconcile that conceptual category with "femininity" not only shaped the social science of young women but also forced child development experts and others to reconsider the idea of adolescence itself. DeLuzio’s provocative work permits a fuller understanding of how adolescence emerged as a "crisis" in female development and offers insight into why female adolescence remains a social and cultural preoccupation even today.
"The study reveals how the female world ultimately defined what constituted a "story" for nineteenth-century women, and presents a way for today's reader to approach these sometimes puzzling works of short fiction."--BOOK JACKET.
How did menopause change from being a natural (and often welcome) end to a woman's childbearing years to a deficiency disease in need of medical and pharmacological intervention? By examining the history of menopause over the course of the twentieth century, Houck shows how the experience and representation of menopause has been profoundly influenced by biomedical developments and by changing roles for women and the changing definition of womanhood.
At the heart of some of the most beloved children’s novels is a passionate discussion about discipline, love, and the changing role of girls in the twentieth century. Joe Sutliff Sanders traces this debate as it began in the sentimental tales of the mid-nineteenth century and continued in the classic orphan girl novels of Louisa May Alcott, Frances Hodgson Burnett, L. M. Montgomery, and other writers still popular today. Domestic novels published between 1850 and 1880 argued that a discipline that emphasized love was the most effective and moral form. These were the first best sellers in American fiction, and by reimagining discipline as a technique of the heart—rather than of the whipâ€...
What was it really like living as a woman in rural Ohio before, during, and after the Civil War? Beckley's grandfather's grandfather was the son of an unpretentious woman who did just that. Unknowingly, she became a family matriarch; and through the use of family documents handed down over the generations, along with governmental archives, and courthouse documents, Beckley is able to reconstruct her life. His research leads him to overgrown vacant lots, dilapidated cemeteries, and down many dusty gravel roads between Ohio and Kentucky, where on the 156th anniversary of the Perrysville Battle, he lies on the ridge where his distant ancestor's brother dies in combat. No effort is spared to reveal the emotion, life, and times of this woman who is long forgotten and yet one who should be forever remembered, thanked, and loved for her devotion to her family.