Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Cultural Interplay in the Eighth Century
This is the first detailed study of the Trier Gospels manuscript and its implications for early book production.
Anglo-Saxon Styles
Art historian Meyer Schapiro defined style as "the constant form—and sometimes the constant elements, qualities, and expression—in the art of an individual or group." Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines—including literature, art history, manuscript studies, philology, and more— consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.
St. Cuthbert, His Cult and His Community to AD 1200
Very fine collection of essays a rich feast of scholarship with many discoveries and new interpretations of greatest value for Anglo-Saxon history.' SPECULUM St Cuthbert is known to many as the the saintly bishop of Holy Island inthe 7th century, but he was also a figure of great political and territorial power. The book is divided into four sections, each dealing with different aspects of Cuthbert and his milieu. Among the topics investigated are the early Livesof the Saint, two by Bede himself, and his cult; Lindisfarne, its scriptorium and of course the famous Gospels; the sumptuous treasures gathered round the coffin, such as a portable altar and elaborately-worked silks, many of which a...
Blurred Boundaries and Deceptive Dichotomies in Pre-Modern Texts and Images
This collection of essays focuses on the way blurred boundaries are represented in pre-modern texts and visual art and how they were received and perceived by their audiences: readers, listeners, and viewers. According to the current understanding that opposing cognitive categories that are so common in modern thinking do not apply to pre-modern mentalities, we argue that individuals in medieval and pre-modern societies did not necessarily consider sacred and secular, male and female, real and fictional, and opposing emotions as absolute dichotomies. The contributors to the present collection examine a wide range of cultural artifacts – literary texts, wall paintings, sculptures, jewelry, ...
Medieval Crossover
The sacred and the secular in medieval literature have too often been perceived as opposites, or else relegated to separate but unequal spheres. In Medieval Crossover: Reading the Secular against the Sacred, Barbara Newman offers a new approach to the many ways that sacred and secular interact in medieval literature, arguing that (in contrast to our own cultural situation) the sacred was the normative, unmarked default category against which the secular always had to define itself and establish its niche. Newman refers to this dialectical relationship as "crossover"—which is not a genre in itself, but a mode of interaction, an openness to the meeting or even merger of sacred and secular in...
James Joyce and the Arts
Joyce’s prismatic art reverberates within and across multiple genres. The essays in this volume reflect on Joycean re-tailorings, Joycean reception, and on the Joycean aesthetic metamorphosis in visual-textual imagery, visual art, music, TV and film.
Medieval Music-Making and the Roman de Fauvel
Publisher Description
Enamels of Limoges
Treasuries of France, and other sources. The works of Limoges were created for important ecclesiastical and royal patrons. The wealth of enameling preserved from the Treasury of the abbey of Grandmont, just outside Limoges, is due chiefly to the Plantagenet patronage of Henry II and his queen, Eleanor of Aquitaine. Enamels created during their reign resonate with the elegant style of the court, and the dramatic history of Henry's monarchy is evoked by such works as the.
French Books of Hours
How was the Book of Hours created and used as a book and what did it mean to its owners?
