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Contemporary Gender Formations in India
The volume discusses critical issues surrounding the developments in gender movements in the last two decades in India following the Delhi rape case and the ensuing massive protests in December 2012. A critical documentation of some of the key moments surrounding the contemporary gendered formations and radicalisms in South Asia, the chapters span questions of class, caste, sexuality, digital feminisms, and conflict zones. The book looks at anger, protest, and imaginations of resistance. It showcases the ‘new’ visibility that digital spaces have opened up to lend voice to survivors who are let down by traditional justice mechanisms and raises questions regarding ‘individualized’ mode...
Contemporary Gender Formations in India
The essays in this volume look at how gendered demands for both temporal and spatial access are articulated within specific spaces. The essays look at such questions as, how do categories such as 'time' and 'space' intersect with each other in complementary and contradictory ways? In order to find tangible forms, do such articulations look for alternative 'spaces' themselves? Can digital space, for example, be described as an 'alternative space' within which a certain generation of young feminists has politically come of age in the post-liberalisation era? The volume attempts to provide commentaries and theorisations of the fact that in recent years, as we have witnessed in India, the emergence of a new feminist subjectivity. Such a phenomenon is also accompanied by the growth of a new female subject, within which the fulcrum of this new feminist subjectivity primarily rests. Predominantly urban, predominantly over-educated, Hindu, upper-caste and upper middle class, this new female (and feminist) subjectivity demands rigorous theorisation.
Prose Poetry in Theory and Practice
Prose Poetry in Theory and Practice vigorously engages with the Why? and the How? of prose poetry, a form that is currently enjoying a surge in popularity. With contributions by both practitioners and academics, this volume seeks to explore how its distinctive properties guide both writer and reader, and to address why this form is so well suited to the early twenty-first century. With discussion of both classic and less well- known writers, the essays both illuminate prose poetry’s distinctive features and explore how this "outsider" form can offer a unique way of viewing and describing the uncertainties and instabilities which shape our identities and our relationships with our surroundings in the early twenty-first century. Combining insights on the theory and practice of prose poetry, Prose Poetry in Theory and Practice offers a timely and valuable contribution to the development of the form, and its appreciation amongst practitioners and scholars alike. Largely approached from a practitioner perspective, this collection provides vivid snapshots of contemporary debates within the prose poetry field while actively contributing to the poetics and craft of the form.
Come Weep With Me
This groundbreaking anthology represents the critical inquiry of literary scholars into the trope of loss and mourning in the work of women writers from the Caribbean archipelago. There is a great deal of recent scholarly interest in the relationship of loss and mourning yet there are no books specifically devoted to an examination of this trope in the works of Caribbean women writers. To fill this gap, this collection of original essays examines subjects that encompass the brutality of slavery, oppressive dictatorships, AIDS, and the catastrophe of the Mount Pele volcano that appear in the writings of women from the English, Spanish and French speaking Caribbean. It is an important addition to the contemporary discourse on loss and mourning. The project is an exciting and vital one because it brings together a multiplicity of perspectives and critical approaches to examine the works of writers such as Jean Rhys, Jamaica Kincaid, Julia Alvarez and Maryse Condé. What emerges is a complex portrait of loss, mourning and remembrance that both enriches and challenges customary discourses of loss, mourning and melancholia.
The Palgrave Encyclopedia of Urban Literary Studies
This encyclopaedia will be an indispensable resource and recourse for all who are thinking about cities and the urban, and the relation of cities to literature, and to ways of writing about cities. Covering a vast terrain, this work will include entries on theorists, individual writers, individual cities, countries, cities in relation to the arts, film and music, urban space, pre/early and modern cities, concepts and movements and definitions amongst others. Written by an international team of contributors, this will be the first resource of its kind to pull together such a comprehensive overview of the field.
Rethinking Place through Literary Form
Rethinking Place Through Literary Form regards the relationship between place and linguistic form as challenging real and perceived configurations of place and renegotiating geopolitically determined categories of the ‘centre’ and ‘periphery’. The volume argues that the rise of scattered communities, displaced physically and psychologically by urban and alienated geographies, necessitates linguistic negotiations of one’s locatedness in place as the chief means of uncovering and re-building identity. By looking at narrative re-imaginings of forgotten and interrupted intimacies between habitation and place from diverse parts of the world, the twelve chapters address the growing need to expand and alter approaches to literary representations of modernity and modes of self-location.
Matria Redux
In Matria Redux: Caribbean Women Novelize the Past, author Tegan Zimmerman contends that there is a need for reading Caribbean women’s texts relationally. This comprehensive study argues that the writer’s turn to maternal histories constitutes the definitive feature of this transcultural and transnational genre. Through an array of Caribbean women’s historical novels published roughly between 1980 and 2010, this book formulates the theory of matria—an imagined maternal space and time—as a postcolonial-psychoanalytic feminist framework for reading fictions of maternal history written by and about Caribbean women. Tracing the development of the historical novel in four periods of the...
The Penguin Book Of Indian Poets
Jeet Thayil has compiled the definitive anthology of Indian poetry in English. This monumental undertaking, two decades in the making, brings together writers from across the world, a wealth of voices--in dialogue, in soliloquy, in rhetoric, and in play--to present an expansive, encompassing idea of what makes an 'Indian' poet. Included are lost, uncollected, or out of print poems by major poets, essays that place entire bodies of work into their precise cultural contexts, and a collection of classic black and white portraits by Madhu Kapparath. These images, taken over a period of thirty years, form an archive of breathtaking historical scope. They offer the viewer unparalleled intimacy and access to the lives of some of India's greatest poets.
The Changing World of Contemporary South Asian Poetry in English
This collection uses a transnational approach to study contemporary English-language poetry composed by poets of South Asian origin. The poetry contains themes, motifs, and critiques of social changes, and the contributors seek to encapsulate the continually changing environments that these contemporary poets write about. The contributors show that English-language poetry in South Asia is hybridized with imagery and figurative language adapted from the vernacular languages of South Asia. The chapters examine women’s issues, concerns of marginalized groups—such as the Dalit community and the people of Northeastern India—, social changes in Sri Lanka, the changing society of Pakistan, and the formation of the identity in the several nation states that resulted from the British colony of India.
Disorienting Politics
Disorienting Politics mines 21st-century media artifacts—including films like The Martian and TV/streaming media shows such as Firefly and House of Cards—to make visible the economic, cultural, political, and ecological entanglements of China and the United States. Describing these transpacific entanglements as “Chimerica”—coined by economic historians to reference the symbiosis of China and America—Yang examines how Chimerican media, originating in the US but traversing national boundaries in their production, circulation, and consumption, co-create the figure of rising China and extend a political imagination beyond the conventional ground of the nation. Examining how Chimerica...
