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Double Vision
This interdisciplinary collection on women and art includes essays representing the fields of philosophy, modern European social history, history of art and architecture, as well as film theory and criticism.
Women and the Ideal Society
In Book V of Plato's Republic, Socrates proposed that in an ideal society the most capable men and women must rule together equally. But as Natalie Harris Bluestone demonstrates in this cogent study, for generations the most influential classicists, historians of philosophy, and political theorists have ignored or rejected the idea of Philosopher Queens--of women serving as equal partners in the guiding of a just society. She also argues that in recent years many feminist writers, while correcting previous misconceptions, have allowed their sexual politics to distort their discussion of Plato's text. In confronting both male and female biases, Bluestone addresses some of the most debated iss...
Women and the Ideal Society
In Book V of Plato's Republic, Socrates proposed that in an ideal society the most capable men and women must rule together equally. But as Natalie Harris Bluestone demonstrates in this cogent study, for generations the most influential classicists, historians of philosophy, and political theorists have ignored or rejected the idea of Philosopher Queens--of women serving as equal partners in the guiding of a just society. She also argues that in recent years many feminist writers, while correcting previous misconceptions, have allowed their sexual politics to distort their discussion of Plato's text. In confronting both male and female biases, Bluestone addresses some of the most debated iss...
Queen as King
Queen as King traces the origins of San Isidoro in León as a royal monastic complex, following its progress as the site changed from a small eleventh-century palatine chapel housed in a double monastery to a great twelfth-century pilgrimage church served by Augustinian canons. Its most groundbreaking contribution to the history of art is the recovery of the lost patronage of Queen Urraca (reigned 1109-1126). Urraca maintained yet subverted her family’s tradition of patronage on the site: to understand her history is to hold the key to the art and architecture of San Isidoro. This new approach to San Isidoro and its patronage allows a major Romanesque monument to be understood more fully than before.
Leo Strauss, the Straussians, and the American Regime
Responding to volatile criticisms frequently leveled at Leo Strauss and those he influenced, the prominent contributors to this volume demonstrate the profound influence that Strauss and his students have exerted on American liberal democracy and contemporary political thought. By stressing the enduring vitality of classic books and by articulating the theoretical and practical flaws of relativism and historicism, the contributors argue that Strauss and the Straussians have identified fundamental crises of modernity and liberal democracy. This book emphasizes the broad range of Strauss's influence, from literary criticism to constitutional thought, and it denies the existence of a monolithic Straussian political orthodoxy. Both critics and supporters of Strauss' thought are included. All political theorists interested in Strauss's extraordinary impact on political thought will want to read this book.
Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, fro...
The Scribes for Women's Convents in Late Medieval Germany
Cyrus demonstrates the prevalence of manuscript production by women monastics and challenges current assumptions of how manuscripts circulated in the late medieval period.
Britain's Flirtation with the Socialist Imaginary
In 1945, Winston Churchill, fresh from winning World War Two for Britain, called an election. Within days, he was thrown out, and a completely new form of government took hold. What followed was a revolutionary period in British history, in which centuries of tradition were questioned. Socialism appeared to be waiting in the wings. This book traces the origins of this transformation in the long history of British democracy. It examines the ideas and actions which began in the 1930s that enabled this revolution and the new society that emerged beyond its origins and into the 21st Century. The problems that this revolution sought to solve remain to this day, as the British government in 2024 wrestles with strikes, social disorder, and massive economic headwinds. Understanding the history of the present dilemmas is essential if we are to grapple successfully with the enduring problems Britain still faces to this day.
Premodern History and Art through the Prism of Gender in East-Central Europe
Premodern History and Art through the Prism of Gender in East-Central Europe is a representative collection of current Czech research in premodern history and art history, using gender as a tool of analysis. The common denominators of the texts collected in this volume are the art history of the premodern period, gender perspectives, and, to a certain degree, the Czech milieu. The book is divided into four parts, based on area of interest, time frame, and research perspective. The first part sheds light on the state of research in the field of women's history—along with the implementation of the concept of gender—and highlights a certain paradigmatic conservatism of Czech art historiography. The second gathers contributions that analyze visual sources of Czech origin. The third includes texts that analyze gender issues on the level of literary representation. The final part presents two case studies that involve analysis of the premodern West European source base. Rywiková and Malaníková present this volume as an innovative way to introduce this specific segment of Central European art history to a broader audience in global academia.
