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Common Culture and the Ideology of Difference in Medieval and Contemporary Poland
Teresa Pac provides a much-needed contribution to the discussion on shared culture as foundational to societal survival. Through the examination of common culture as a process in medieval Kraków, Poznań, and Lublin, Pac challenges the ideology of difference—institutional, religious, ethnic, and nationalistic. Similarly, Pac maintains, twenty-first century Polish leaders utilize anachronistic approaches in the invention of Polish Catholic identity to counteract the country’s increasing ethnic and religious diversity. As in the medieval period, contemporary Polish political and social elites subscribe to the European Union’s ideology of difference, legitimized by a European Christian heritage, and its intended basis for discrimination against non-Christians and non-white individuals under the auspices of democratic values and minority rights, among which Muslims are a significant target.
(Trans)missions: Monasteries as Sites of Cultural Transfers
This volume focuses on the Catholic tradition of consecrated life (vita religiosa) from the High Middle Ages to the present. It gathers papers by authors from various disciplinary backgrounds, in particular art history, history, anthropology and translation studies.
Speculum Mortis
This book examines the visualization of personified death. It analyzes all preserved examples of macabre iconography in late medieval Bohemian paintings in the context of period culture and devotion.
Speculum Mortis
This study analyzes late medieval paintings of personified death in Bohemia, arguing that Bohemian iconography was distinct from the body of macabre painting found in other Central European regions during the same period. The author focuses on a variety of images from late medieval Bohemia, examining how they express the imagination, devotion, and anxieties surrounding death in the Middle Ages.
Premodern History and Art through the Prism of Gender in East-Central Europe
Premodern History and Art through the Prism of Gender in East-Central Europe is a representative collection of current Czech research in premodern history and art history, using gender as a tool of analysis. The common denominators of the texts collected in this volume are the art history of the premodern period, gender perspectives, and, to a certain degree, the Czech milieu. The book is divided into four parts, based on area of interest, time frame, and research perspective. The first part sheds light on the state of research in the field of women's history—along with the implementation of the concept of gender—and highlights a certain paradigmatic conservatism of Czech art historiography. The second gathers contributions that analyze visual sources of Czech origin. The third includes texts that analyze gender issues on the level of literary representation. The final part presents two case studies that involve analysis of the premodern West European source base. Rywiková and Malaníková present this volume as an innovative way to introduce this specific segment of Central European art history to a broader audience in global academia.
The Use and Abuse of History
Use and Abuse of History has become a key text of current historiography; this is a book that poses fundamental and disturbing questions about the use and abuse of history. Engaging and challenging, this book confronts the reader with the many 'histories' that exist and have existed around the world, from the Zulu kingdoms to Communist China. This title has now been extensively revised by Marc Ferro, a well respected historian, and presents the different narratives that constitute the histories of countries as diverse as India, Iran, Trinidad and the United States makes for fascinating reading in their own right. What makes this book so valuable, though, is what these narratives tell us about the societies which create them – how much is history distorted in order to condition the minds of those who are taught it? Use and Abuse of History appeals to anyone with a general interested in history.
Echoes of Silence
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Ikonografia Bogomateri
Ikonografia Bogomateri by Akademiia nauk SSSR. Otdelenie russkogo iazyka i slovesnosti, first published in 1914, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
