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In the remote forests of Mauritius, young Raj is almost oblivious of the Second World War raging beyond his tiny exotic island. With only his mother for company while his father works as a prison guard, solitary ever since his brothers died years ago, Raj thinks only of making friends. One day, the far-away world comes to Mauritius, and Raj meets David, a Jew exiled from his home in Europe and imprisoned in the camp where Raj's father works. David becomes the friend that he has always longed for, a brother to replace those he has lost. Raj knows that he must help David to escape. As they flee through sub-tropical landscapes and devastating storms, the boys battle hunger and malaria - and forge a friendship only death can destroy. The Last Brother is a powerful, poetic novel that sheds new light on a little-explored aspect of 20th-century history.
Marie, a nurse on the island of Mayotte, adopts an abandoned baby and names him Moïse, raising him as a French boy. As he grows up, Moïse struggles with his status as an "outsider" and to understand why he was abandoned as a baby. When Marie dies, he is left alone, plunged into uncertainty and turmoil, ending up in the largest and most infamous slum on Mayotte, nicknamed "Gaza". Narrated by five different characters, Tropic of Violence is an exploration of lost youth on the French island of Mayotte in the Indian Ocean. Shining a powerful light on problems of violence, immigration, identity, deprivation and isolation on this island that became a French département in 2011, it is a remarkable, unsettling new novel that draws on the author's own observations from her time on Mayotte.
A powerful examination of the artistic impulse, cultural identity, and family bonds Anita is waiting for Adam to be released from prison. They met twenty years ago at a New Year’s Eve party in Paris, a city where they both felt out of place—he as a recent arrival from the provinces, and she as an immigrant from the island of Mauritius. They quickly fell in love, married, and moved to a village in southwestern France, to live on the shores of the Atlantic with their little girl, Laura. In order to earn a living, Adam has left behind his love of painting to become an architect, and Anita has turned her desire to write into a job freelancing for a local newspaper. Over time, the monotony of...
Exposing the extremes of life in a developing country, this novel of doomed love shows how poverty, class divisions, and ramshackle housing become even harder to bear when luxurious resorts and rich tourists arrive on the scene. Growing up on the island of Mauritius, in the Indian Ocean, lonely young Maya hopes that someday she might escape her poverty and find happiness in the desirable housing developments near the new hotels. When she falls in love with a man from a well-to-do family, she believes that her dream is within reach, but her hopes are shattered when her lover is too weak to defy his family and agrees to an arranged marriage to a woman from his own caste.
This book analyses how the idea – or the problem - of belonging is articulated in a range of contemporary francophone Mauritian novels. Waters explores how forms of affective belonging intersect with the exclusionary ‘politics of belonging’ in novels by Nathacha Appanah, Ananda Devi, Shenaz Patel, Bertrand de Robillard, Amal Sewtohul and Carl de Souza.
A propulsive, kaleidoscopic novel about a fractured family and the persistence of hope. One night, seventeen-year-old Wolf steals his mother’s car and drives six hundred kilometers in search of his sister, who left home ten years ago. Unlicensed and on edge, he veers onto the wrong side of the road and causes an accident. He is arrested and incarcerated, forcing his mother and sister to reconnect and pick up the pieces in order to fight for his release. What follows is a lyrical, precise, and unflinching account of the events that lead to this moment, told through the alternating perspectives of Wolf’s mother, sister, and grandfather, as well as the doctor who was present at Wolf’s bir...
It's not only grief and loneliness that have tormented Tara since her husband's death. In her, something rises and crests like a wave. As she sits in squalor in a house that once knew love, she hears the deafening cry of a past she thought was stifled and the resurgence of the person she had been before. A girl with another name, who loved to laugh and dance, who believed in the innocence of childhood until she was overtaken by her country's demons. With her characteristic lyricism and precision, Nathacha Appanah offers us total immersion into a world of lost futures and hidden pasts, in which the implacable hand of fate can only be resisted at a price. Translated from the French by Jeffrey Zuckerman
Worldwide Women Writers in Paris examines a new literary phenomenon consisting of an unprecedented number of women from around the world who have come to Paris and become authors of written works in French. It takes as its starting point a series of filmed interviews conducted in the French capital, a set of recorded conversations motivated by a desire to pay homage to these discrete voices and images at a moment characterized by impressive diversity. Their individual paths to France and to French are noteworthy, and these authors of different generations and varying places of origin emphasize their singularity. However, the juxtaposition of their reflections reveals that many have faced sim...
This prequel, inspired by Margaret Mitchell's "Gone with the Wind," recounts the life of Mammy from her days as a slave girl to the outbreak of the Civil War.
Interdisciplinarity: this book covers a range of media and genres from cinema to journalism to novels and a range of disciplines from feminism, film studies, Francophone studies, history, etc., which allows readers to access a particularly extensive range of disciplines within one volume and to make informed comparisons. Transhistoricism: the chronological range of essays included in this journal from the medieval period through the nineteenth and twentieth centuries to the present demonstrates that women have always managed to access their own territory within the masculinised urban environment and this encourages readers to rethink previous gendered assumptions about women and the city. Feminism: the essays here form part of the wider movement in academic research to redress the gendered imbalance of perspectives on a range of subjects: here allowing us to look anew at French and Francophone culture and history as part of this feminist rewriting.